{"id":3965,"date":"2026-09-30T08:30:30","date_gmt":"2026-09-30T06:30:30","guid":{"rendered":"https:\/\/www.coollibri.es\/blog\/?p=3965"},"modified":"2026-09-02T13:31:28","modified_gmt":"2026-09-02T11:31:28","slug":"150-mejores-novelas-policiacas-de-todos-los-tiempos-clasicos-novela-negra-y-thrillers-imprescindibles","status":"publish","type":"post","link":"https:\/\/www.coollibri.es\/blog\/150-mejores-novelas-policiacas-de-todos-los-tiempos-clasicos-novela-negra-y-thrillers-imprescindibles\/","title":{"rendered":"Las 150 mejores novelas policiacas de todos los tiempos: cl\u00e1sicos, novela negra y thrillers imprescindibles"},"content":{"rendered":"<article style=\"box-sizing: border-box; position: relative; left: 50%; transform: translateX(-50%); width: calc(100vw - 48px); max-width: 1180px; margin: 0 auto; padding: 0 8px 48px; color: #24212b; font-size: 18px; line-height: 1.75; text-align: left;\">\n<header style=\"max-width: 930px; margin: 0 0 28px; text-align: left;\">\n<div style=\"font-size: 14px; line-height: 1.4; font-weight: 800; letter-spacing: .05em; text-transform: uppercase; color: #596100; margin: 0 0 10px; text-align: left; font-family: inherit;\">Gu\u00eda de lectura \u00b7 misterio, noir y thriller<\/div>\n<p style=\"font-size: 22px; line-height: 1.55; color: #5f5968; margin: 0; text-align: left;\">Descubre 150 novelas policiacas, negras, de misterio y thrillers imprescindibles: cl\u00e1sicos, noir espa\u00f1ol, Nordic noir, Jap\u00f3n, Latinoam\u00e9rica y m\u00e1s.<\/p>\n<\/header>\n<section style=\"background: #f8fae8; border: 1px solid #dfe7a2; border-left: 7px solid #C2D200; border-radius: 18px; padding: 26px 28px; margin: 32px 0 34px; text-align: left;\">\n<div style=\"font-size: 26px; line-height: 1.25; font-weight: 800; color: #24212b; margin: 0 0 14px; text-align: left; font-family: inherit;\">Resumen r\u00e1pido<\/div>\n<ul style=\"margin: 0; padding-left: 24px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">La selecci\u00f3n re\u00fane 150 novelas policiacas, negras, criminales, de misterio, espionaje y thriller.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">No es un ranking matem\u00e1tico: la numeraci\u00f3n sirve para orientarse y descubrir ramas distintas del g\u00e9nero.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Incluye cl\u00e1sicos anglosajones, novela negra espa\u00f1ola y latinoamericana, polar franc\u00e9s, Nordic noir, misterio japon\u00e9s y thriller contempor\u00e1neo.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Si no sabes por d\u00f3nde empezar, encontrar\u00e1s una selecci\u00f3n inicial de diez libros y varias rutas seg\u00fan tus gustos.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Para escritores, el art\u00edculo incluye t\u00e9cnicas para estudiar pistas, sospechosos, informaci\u00f3n, escenario, tensi\u00f3n y giros.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">La selecci\u00f3n ampl\u00eda el canon hist\u00f3rico de la Mystery Writers of America con autores, tradiciones y obras posteriores a 1995.<\/li>\n<\/ul>\n<\/section>\n<nav style=\"background: #ffffff; border: 1px solid #ddd5eb; border-radius: 18px; padding: 24px 28px; margin: 26px 0 42px; text-align: left;\">\n<div style=\"font-size: 21px; line-height: 1.4; font-weight: 800; margin: 0 0 12px; text-align: left; font-family: inherit; color: #24212b;\">En este art\u00edculo<\/div>\n<ol style=\"margin: 0; padding-left: 23px; text-align: left; columns: 2; column-gap: 34px;\">\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#como-hemos-construido-esta-seleccion-de-150-novelas\">C\u00f3mo hemos construido esta selecci\u00f3n de 150 novelas<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#que-diferencia-hay-entre-novela-policiaca-novela-negra-misterio-y-thriller\">Qu\u00e9 diferencia hay entre novela policiaca, novela negra, misterio y thriller<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#si-solo-quieres-leer-diez-novelas-policiacas-empieza-por-estas\">Si solo quieres leer diez novelas policiacas, empieza por estas<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#1-los-origenes-y-la-edad-de-oro-del-misterio\">1. Los or\u00edgenes y la Edad de Oro del misterio<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#2-hard-boiled-y-noir-estadounidense\">2. Hard-boiled y noir estadounidense<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#3-el-crimen-se-vuelve-psicologico\">3. El crimen se vuelve psicol\u00f3gico<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#4-espionaje-conspiraciones-y-traiciones\">4. Espionaje, conspiraciones y traiciones<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#5-el-gran-crimen-estadounidense-contemporaneo\">5. El gran crimen estadounidense contempor\u00e1neo<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#6-reino-unido-e-irlanda-despues-de-christie\">6. Reino Unido e Irlanda despu\u00e9s de Christie<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#7-nordic-noir\">7. Nordic noir<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#8-polar-frances-belga-y-noir-mediterraneo\">8. Polar franc\u00e9s, belga y noir mediterr\u00e1neo<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#9-diez-pilares-de-la-novela-negra-espanola\">9. Diez pilares de la novela negra espa\u00f1ola<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#10-mas-novela-criminal-espanola-que-merece-recuperarse\">10. M\u00e1s novela criminal espa\u00f1ola que merece recuperarse<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#11-america-latina-y-el-neopoliciaco\">11. Am\u00e9rica Latina y el neopolic\u00edaco<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#12-japon-y-la-novela-criminal-asiatica\">12. Jap\u00f3n y la novela criminal asi\u00e1tica<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#13-italia-alemania-canada-sudafrica-australia-y-otros-territorios\">13. Italia, Alemania, Canad\u00e1, Sud\u00e1frica, Australia y otros territorios<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#14-grandes-nombres-que-suelen-quedar-fuera-de-las-listas-mas-repetidas\">14. Grandes nombres que suelen quedar fuera de las listas m\u00e1s repetidas<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#15-diez-thrillers-del-siglo-xxi-que-ya-han-dejado-huella\">15. Diez thrillers del siglo XXI que ya han dejado huella<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#por-que-no-aparecen-algunos-autores-o-novelas-muy-famosos\">\u00bfPor qu\u00e9 no aparecen algunos autores o novelas muy famosos?<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#que-novela-policiaca-leer-segun-tus-gustos\">Qu\u00e9 novela policiaca leer seg\u00fan tus gustos<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#autoras-imprescindibles-de-la-novela-policiaca-y-negra\">Autoras imprescindibles de la novela policiaca y negra<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#que-puede-aprender-un-escritor-leyendo-novela-policiaca\">Qu\u00e9 puede aprender un escritor leyendo novela policiaca<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#15-preguntas-para-analizar-una-novela-policiaca-como-escritor\">15 preguntas para analizar una novela policiaca como escritor<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#como-empezar-a-leer-novela-negra-si-nunca-has-leido-el-genero\">C\u00f3mo empezar a leer novela negra si nunca has le\u00eddo el g\u00e9nero<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#preguntas-frecuentes-sobre-las-mejores-novelas-policiacas\">Preguntas frecuentes sobre las mejores novelas policiacas<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#glosario-de-novela-policiaca-y-negra\">Glosario de novela policiaca y negra<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#fuentes-y-metodologia\">Fuentes y metodolog\u00eda<\/a><\/li>\n<li style=\"font-size: 15px; line-height: 1.45; margin: 6px 0; text-align: left; break-inside: avoid;\"><a style=\"font-size: 15px; color: #72518e; font-weight: 600; text-decoration: none;\" href=\"#150-novelas-no-son-suficientes-y-eso-es-una-buena-noticia\">150 novelas no son suficientes, y eso es una buena noticia<\/a><\/li>\n<\/ol>\n<\/nav>\n<div>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Elegir las mejores novelas policiacas de todos los tiempos tiene un problema desde el principio:<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\"><strong>\u00bfqu\u00e9 entendemos exactamente por novela policiaca?<\/strong><\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">\u00bfUna historia en la que un detective busca a un asesino?<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">\u00bfUna novela negra donde conocemos al culpable desde el principio?<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">\u00bfUn thriller psicol\u00f3gico?<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">\u00bfUna historia de espionaje?<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">\u00bfUn misterio de habitaci\u00f3n cerrada?<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">\u00bfUna novela como <em>El nombre de la rosa<\/em>, que combina investigaci\u00f3n criminal, historia, filosof\u00eda y religi\u00f3n?<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">\u00bfO <em>Rebeca<\/em>, donde no encontramos una investigaci\u00f3n policial cl\u00e1sica, pero s\u00ed una muerte, secretos, sospechas y una presencia inquietante que condiciona toda la novela?<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Cuanto m\u00e1s conocemos el g\u00e9nero, m\u00e1s dif\u00edcil resulta encerrarlo dentro de una \u00fanica definici\u00f3n.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Y tambi\u00e9n dentro de una lista de cien libros.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Por eso hemos ampliado nuestra selecci\u00f3n hasta <strong>150 novelas policiacas, negras, criminales, de misterio y thrillers que merece la pena conocer<\/strong>.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">No pretendemos demostrar que el n\u00famero 37 sea objetivamente mejor que el 38.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La numeraci\u00f3n sirve para orientarse.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Esta lista funciona mejor como <strong>una biblioteca de 150 puertas de entrada al g\u00e9nero<\/strong>.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Puedes empezar por Agatha Christie.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Por Raymond Chandler.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Por Patricia Highsmith.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Por Manuel V\u00e1zquez Montalb\u00e1n.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Por Leonardo Padura.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Por Keigo Higashino.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Por Dolores Redondo.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Por Georges Simenon.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">O por una autora japonesa que todav\u00eda no conoc\u00edas.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Lo importante es empezar.<\/p>\n<aside style=\"background: #edf7ff; border: 1px solid #cce4f4; border-left: 6px solid #1683c6; border-radius: 14px; padding: 22px 24px; margin: 28px 0 36px; text-align: left;\">\n<div style=\"font-size: 13px; line-height: 1.4; font-weight: 850; letter-spacing: .05em; text-transform: uppercase; color: #075f93; margin: 0 0 7px; text-align: left; font-family: inherit;\">C\u00f3mo usar esta lista<\/div>\n<p style=\"font-size: 19px; line-height: 1.65; margin: 0; text-align: justify; color: #24212b;\"><strong>No intentes leer 150 libros en orden.<\/strong> Utiliza esta selecci\u00f3n como un mapa. Empieza por una rama que ya te atraiga, descubre despu\u00e9s una tradici\u00f3n que no conozcas y compara c\u00f3mo distintas novelas administran pistas, sospecha, violencia, espacio e informaci\u00f3n.<\/p>\n<\/aside>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"como-hemos-construido-esta-seleccion-de-150-novelas\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">C\u00f3mo hemos construido esta selecci\u00f3n de 150 novelas<\/h2>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La versi\u00f3n francesa original de CoolLibri part\u00eda, entre otras referencias, de <em>The Crown Crime Companion: The Top 100 Mystery Novels of All Time<\/em>, selecci\u00f3n publicada por la <strong>Mystery Writers of America en 1995<\/strong> y editada por Crown. <a style=\"color: #4d239e; font-weight: bold; text-decoration: underline; text-underline-offset: 3px;\" href=\"https:\/\/www.penguinrandomhouse.com\/books\/119419\/the-crown-crime-companion-by-mystery-writers-of-america-inc\/\" target=\"_blank\" rel=\"noopener noreferrer\">Consultar la referencia editorial<\/a><\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Aquella lista sigue siendo una excelente fotograf\u00eda del canon hist\u00f3rico del g\u00e9nero, pero presentaba una limitaci\u00f3n evidente: estaba dominada por obras brit\u00e1nicas y estadounidenses.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Adem\u00e1s, los propios lectores de aquel art\u00edculo fueron dejando durante a\u00f1os sugerencias y cr\u00edticas muy interesantes.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Reclamaban autores como:<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Georges Simenon.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Jean-Patrick Manchette.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Jean-Claude Izzo.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Donald E. Westlake.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">David Goodis.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Chester Himes.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Ross Macdonald.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Keigo Higashino.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Natsuo Kirino.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Pierre Lemaitre.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Henning Mankell.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Jussi Adler-Olsen.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Peter May.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">James Lee Burke.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Caryl F\u00e9rey.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Deon Meyer.<\/li>\n<\/ul>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una lectora resum\u00eda adem\u00e1s un problema frecuente de este tipo de rankings: <strong>siempre terminan apareciendo los mismos libros<\/strong>.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Esta versi\u00f3n espa\u00f1ola intenta corregirlo.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Encontrar\u00e1s los cl\u00e1sicos inevitables, pero tambi\u00e9n:<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Novela negra espa\u00f1ola.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Autores latinoamericanos.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Polar franc\u00e9s.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Nordic noir.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Misterio japon\u00e9s.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Procedimental policial.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Noir mediterr\u00e1neo.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Thriller psicol\u00f3gico.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Espionaje.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Cozy crime.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Nuevas formas de novela criminal.<\/li>\n<\/ul>\n<h3 id=\"una-nota-sobre-titulos-y-fechas\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Una nota sobre t\u00edtulos y fechas<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Cuando existe un <strong>t\u00edtulo espa\u00f1ol claramente consolidado<\/strong>, utilizamos ese t\u00edtulo.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Cuando una obra ha circulado con varias traducciones o el t\u00edtulo espa\u00f1ol no est\u00e1 suficientemente asentado, mantenemos tambi\u00e9n el <strong>t\u00edtulo original<\/strong> para facilitar su identificaci\u00f3n.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El a\u00f1o que acompa\u00f1a a cada obra corresponde, como regla general, a <strong>su primera publicaci\u00f3n como obra<\/strong>, no a la fecha de una reedici\u00f3n espa\u00f1ola.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Hay casos hist\u00f3ricos particulares. <em>El misterio del cuarto amarillo<\/em>, por ejemplo, apareci\u00f3 por entregas en 1907 y como libro en 1908. En esos casos indicamos la fecha que resulta m\u00e1s \u00fatil bibliogr\u00e1ficamente.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"que-diferencia-hay-entre-novela-policiaca-novela-negra-misterio-y-thriller\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Qu\u00e9 diferencia hay entre novela policiaca, novela negra, misterio y thriller<\/h2>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Antes de entrar en los 150 libros conviene aclarar algunas etiquetas.<\/p>\n<table style=\"width: 100%; border-collapse: collapse; margin: 24px 0 34px; background: #ffffff; border: 1px solid #ddd5eb;\">\n<thead>\n<tr>\n<th style=\"padding: 14px 15px; border: 1px solid #ddd5eb; background: #f8fae8; font-size: 17px; line-height: 1.45; font-weight: 800; text-align: left; vertical-align: top;\">G\u00e9nero<\/th>\n<th style=\"padding: 14px 15px; border: 1px solid #ddd5eb; background: #f8fae8; font-size: 17px; line-height: 1.45; font-weight: 800; text-align: left; vertical-align: top;\">Pregunta dominante<\/th>\n<th style=\"padding: 14px 15px; border: 1px solid #ddd5eb; background: #f8fae8; font-size: 17px; line-height: 1.45; font-weight: 800; text-align: left; vertical-align: top;\">Rasgos habituales<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\"><strong>Novela policiaca<\/strong><\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">\u00bfQui\u00e9n cometi\u00f3 el crimen?<\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Investigaci\u00f3n, detective, pistas<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\"><strong>Misterio<\/strong><\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">\u00bfQu\u00e9 ocurri\u00f3 realmente?<\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Secretos, enigmas, revelaciones<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\"><strong>Novela negra<\/strong><\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">\u00bfQu\u00e9 revela el crimen sobre la sociedad?<\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Corrupci\u00f3n, violencia, poder<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\"><strong>Thriller<\/strong><\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">\u00bfQu\u00e9 ocurrir\u00e1 si nadie lo detiene?<\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Riesgo, presi\u00f3n, ritmo<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\"><strong>Procedimental<\/strong><\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">\u00bfC\u00f3mo se investiga profesionalmente?<\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Polic\u00eda, pruebas, m\u00e9todos<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\"><strong>Thriller psicol\u00f3gico<\/strong><\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">\u00bfPodemos confiar en lo que sabemos?<\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Identidad, percepci\u00f3n, manipulaci\u00f3n<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\"><strong>Espionaje<\/strong><\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">\u00bfQui\u00e9n controla la informaci\u00f3n?<\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Pol\u00edtica, secretos, traici\u00f3n<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\"><strong>Cozy crime<\/strong><\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">\u00bfQui\u00e9n es culpable dentro de una comunidad?<\/td>\n<td style=\"padding: 14px 15px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Enigma, personajes, menor explicitud<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Las fronteras se mezclan continuamente.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una misma novela puede ser misterio, thriller psicol\u00f3gico y noir.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Eso no es un problema.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Es precisamente una de las razones por las que el g\u00e9nero sigue evolucionando.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"si-solo-quieres-leer-diez-novelas-policiacas-empieza-por-estas\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal; background: #f8fae8; border-left: 7px solid #C2D200; border-radius: 12px; padding: 17px 20px; margin-bottom: 22px;\">Si solo quieres leer diez novelas policiacas, empieza por estas<\/h2>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Si 150 t\u00edtulos te intimidan, prueba primero con diez muy diferentes:<\/p>\n<ol style=\"margin: 16px 0 28px; padding: 18px 18px 18px 42px; background: #ffffff; border: 1px solid #dfe7a2; border-radius: 14px; text-align: left; padding-left: 27px;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><a href=\"https:\/\/link.amazon\/B0fFN2v8w\" target=\"_blank\" rel=\"noopener\"><em>El asesinato de Roger Ackroyd<\/em><\/a>, de Agatha Christie.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><a href=\"https:\/\/link.amazon\/B01In1RZg\" target=\"_blank\" rel=\"noopener\"><em>El halc\u00f3n malt\u00e9s<\/em><\/a>, de Dashiell Hammett.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><a href=\"https:\/\/link.amazon\/B01UR57vI\" target=\"_blank\" rel=\"noopener\"><em>El largo adi\u00f3s<\/em><\/a>, de Raymond Chandler.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><a href=\"https:\/\/link.amazon\/B033yJ2M9\" target=\"_blank\" rel=\"noopener\"><em>El talento de Mr. Ripley<\/em><\/a>, de Patricia Highsmith.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><a href=\"https:\/\/link.amazon\/B0bgXHk2a\" target=\"_blank\" rel=\"noopener\"><em>El nombre de la rosa<\/em><\/a>, de Umberto Eco.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><a href=\"https:\/\/link.amazon\/B05x6rV26\" target=\"_blank\" rel=\"noopener\"><em>Los mares del sur<\/em><\/a>, de Manuel V\u00e1zquez Montalb\u00e1n.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>D\u00edas de combate<\/em>, de Paco Ignacio Taibo II.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Los hombres que no amaban a las mujeres<\/em>, de Stieg Larsson.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>La devoci\u00f3n del sospechoso X<\/em>, de Keigo Higashino.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Perdida<\/em>, de Gillian Flynn.<\/li>\n<\/ol>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Con esas diez ya tendr\u00e1s diez respuestas bastante distintas a la pregunta:<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\"><strong>\u00bfqu\u00e9 puede ser una novela criminal?<\/strong><\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"1-los-origenes-y-la-edad-de-oro-del-misterio\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">1. Los or\u00edgenes y la Edad de Oro del misterio<\/h2>\n<div style=\"display: inline-block; margin: 0 0 22px; padding: 8px 13px; background: #faf8fd; border: 1px solid #e2d9ec; border-radius: 999px; color: #4d239e; font-size: 14px; font-weight: 800; text-align: left;\">Cl\u00e1sicos y Edad de Oro<\/div>\n<h3 id=\"1-la-piedra-lunar-the-moonstone-1868-wilkie-collins\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">1. <em>La piedra lunar<\/em> (<em>The Moonstone<\/em>, 1868), Wilkie Collins<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El robo de un extraordinario diamante desencadena distintas versiones de los hechos.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una obra fundamental para comprender c\u00f3mo la novela de misterio empez\u00f3 a convertir pistas, testimonios y perspectivas en estructura narrativa.<\/p>\n<h3 id=\"2-el-sabueso-de-los-baskerville-the-hound-of-the-baskervilles-1902-arthur-conan-doyle\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">2. <em>El sabueso de los Baskerville<\/em> (<em>The Hound of the Baskervilles<\/em>, 1902), Arthur Conan Doyle<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Sherlock Holmes frente a una supuesta maldici\u00f3n familiar en los p\u00e1ramos de Devon.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Racionalidad, superstici\u00f3n y atm\u00f3sfera g\u00f3tica funcionan juntos.<\/p>\n<h3 id=\"3-el-misterio-del-cuarto-amarillo-le-mystere-de-la-chambre-jaune-1908-gaston-leroux\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">3. <em>El misterio del cuarto amarillo<\/em> (<em>Le Myst\u00e8re de la chambre jaune<\/em>, 1908), Gaston Leroux<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un crimen parece haberse cometido dentro de una habitaci\u00f3n de la que nadie pod\u00eda entrar ni salir.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Publicado primero por entregas en 1907 y como volumen en 1908, es uno de los grandes antecedentes del misterio de habitaci\u00f3n cerrada.<\/p>\n<h3 id=\"4-el-asesinato-de-roger-ackroyd-the-murder-of-roger-ackroyd-1926-agatha-christie\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">4. <em>El asesinato de Roger Ackroyd<\/em> (<em>The Murder of Roger Ackroyd<\/em>, 1926), Agatha Christie<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">H\u00e9rcules Poirot investiga la muerte de un hombre que sab\u00eda demasiado.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una obra imprescindible para estudiar narrador, informaci\u00f3n y manipulaci\u00f3n de expectativas.<\/p>\n<h3 id=\"5-asesinato-en-el-orient-express-murder-on-the-orient-express-1934-agatha-christie\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">5. <em>Asesinato en el Orient Express<\/em> (<em>Murder on the Orient Express<\/em>, 1934), Agatha Christie<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un hombre aparece muerto dentro de un tren detenido por la nieve.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Espacio cerrado, m\u00faltiples sospechosos y una soluci\u00f3n que se ha convertido en parte de la cultura popular.<\/p>\n<h3 id=\"6-el-caso-de-los-bombones-envenenados-the-poisoned-chocolates-case-1929-anthony-berkeley\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">6. <em>El caso de los bombones envenenados<\/em> (<em>The Poisoned Chocolates Case<\/em>, 1929), Anthony Berkeley<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Varios investigadores intentan resolver el mismo asesinato y llegan a conclusiones distintas.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Perfecta para estudiar c\u00f3mo una misma evidencia admite interpretaciones diferentes.<\/p>\n<h3 id=\"7-el-hombre-hueco-the-hollow-man-1935-john-dickson-carr\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">7. <em>El hombre hueco<\/em> (<em>The Hollow Man<\/em>, 1935), John Dickson Carr<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Uno de los grandes cl\u00e1sicos del crimen imposible.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Carr convierte el misterio de habitaci\u00f3n cerrada casi en una disciplina intelectual.<\/p>\n<h3 id=\"8-los-secretos-de-oxford-gaudy-night-1935-dorothy-l-sayers\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">8. <em>Los secretos de Oxford<\/em> (<em>Gaudy Night<\/em>, 1935), Dorothy L. Sayers<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Harriet Vane vuelve a Oxford y se enfrenta a una serie de actos de hostigamiento cada vez m\u00e1s inquietantes.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Misterio, educaci\u00f3n, independencia intelectual y relaciones personales.<\/p>\n<h3 id=\"9-y-no-quedo-ninguno-and-then-there-were-none-1939-agatha-christie\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">9. <em>Y no qued\u00f3 ninguno<\/em> (<em>And Then There Were None<\/em>, 1939), Agatha Christie<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Diez desconocidos quedan aislados en una isla.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Uno tras otro empiezan a morir.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La novela sigue siendo una lecci\u00f3n de arquitectura narrativa y reducci\u00f3n progresiva de posibilidades.<\/p>\n<h3 id=\"10-la-hija-del-tiempo-the-daughter-of-time-1951-josephine-tey\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">10. <em>La hija del tiempo<\/em> (<em>The Daughter of Time<\/em>, 1951), Josephine Tey<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un inspector inmovilizado en una cama de hospital decide investigar los supuestos cr\u00edmenes de Ricardo III.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una novela policiaca donde las pruebas tienen varios siglos de antig\u00fcedad.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"2-hard-boiled-y-noir-estadounidense\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">2. Hard-boiled y noir estadounidense<\/h2>\n<div style=\"display: inline-block; margin: 0 0 22px; padding: 8px 13px; background: #faf8fd; border: 1px solid #e2d9ec; border-radius: 999px; color: #4d239e; font-size: 14px; font-weight: 800; text-align: left;\">Noir estadounidense<\/div>\n<h3 id=\"11-cosecha-roja-red-harvest-1929-dashiell-hammett\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">11. <em>Cosecha roja<\/em> (<em>Red Harvest<\/em>, 1929), Dashiell Hammett<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un detective llega a una ciudad dominada por corrupci\u00f3n, empresarios, criminales y violencia.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El orden no est\u00e1 roto.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El desorden es el sistema.<\/p>\n<h3 id=\"12-el-halcon-maltes-the-maltese-falcon-1930-dashiell-hammett\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">12. <em>El halc\u00f3n malt\u00e9s<\/em> (<em>The Maltese Falcon<\/em>, 1930), Dashiell Hammett<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Sam Spade se mueve entre asesinatos, mentiras y personas obsesionadas con una valiosa estatuilla.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una de las bases del hard-boiled.<\/p>\n<h3 id=\"13-el-cartero-siempre-llama-dos-veces-the-postman-always-rings-twice-1934-james-m-cain\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">13. <em>El cartero siempre llama dos veces<\/em> (<em>The Postman Always Rings Twice<\/em>, 1934), James M. Cain<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Deseo, adulterio y asesinato narrados con extraordinaria econom\u00eda.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">No hace falta una investigaci\u00f3n policial para construir una gran novela criminal.<\/p>\n<h3 id=\"14-pacto-de-sangre-double-indemnity-1943-james-m-cain\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">14. <em>Pacto de sangre<\/em> (<em>Double Indemnity<\/em>, 1943), James M. Cain<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un agente de seguros y una mujer planean un crimen que deber\u00eda parecer un accidente.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La historia hab\u00eda aparecido previamente por entregas en 1936 y se public\u00f3 posteriormente en volumen.<\/p>\n<h3 id=\"15-el-sueno-eterno-the-big-sleep-1939-raymond-chandler\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">15. <em>El sue\u00f1o eterno<\/em> (<em>The Big Sleep<\/em>, 1939), Raymond Chandler<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Philip Marlowe entra en una familia rica y descubre chantaje, drogas, secretos y asesinatos.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La trama es compleja.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La voz hizo historia.<\/p>\n<h3 id=\"16-adios-muneca-farewell-my-lovely-1940-raymond-chandler\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">16. <em>Adi\u00f3s, mu\u00f1eca<\/em> (<em>Farewell, My Lovely<\/em>, 1940), Raymond Chandler<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Marlowe acepta ayudar a un exconvicto a encontrar a una antigua amante.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Naturalmente, nada resulta sencillo.<\/p>\n<h3 id=\"17-el-largo-adios-the-long-goodbye-1953-raymond-chandler\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">17. <em>El largo adi\u00f3s<\/em> (<em>The Long Goodbye<\/em>, 1953), Raymond Chandler<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Amistad, alcohol, lealtad, dinero y traici\u00f3n.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Para muchos lectores, la novela donde Marlowe deja de ser \u00fanicamente detective y se convierte en personaje literario de pleno derecho.<\/p>\n<h3 id=\"18-el-asesino-dentro-de-mi-the-killer-inside-me-1952-jim-thompson\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">18. <em>El asesino dentro de m\u00ed<\/em> (<em>The Killer Inside Me<\/em>, 1952), Jim Thompson<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El protagonista parece un amable ayudante del sheriff.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El lector descubre algo muy diferente.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una inmersi\u00f3n inc\u00f3moda en la mente criminal.<\/p>\n<h3 id=\"19-en-un-lugar-solitario-in-a-lonely-place-1947-dorothy-b-hughes\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">19. <em>En un lugar solitario<\/em> (<em>In a Lonely Place<\/em>, 1947), Dorothy B. Hughes<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un noir psicol\u00f3gico extraordinariamente adelantado a su tiempo que cuestiona desde dentro las fantas\u00edas masculinas del g\u00e9nero.<\/p>\n<h3 id=\"20-calle-sin-retorno-street-of-no-return-1954-david-goodis\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">20. <em>Calle sin retorno<\/em> (<em>Street of No Return<\/em>, 1954), David Goodis<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Personajes derrotados, violencia y una ciudad que parece impedir cualquier salida.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Goodis convirti\u00f3 al perdedor en una de las figuras centrales del noir.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"3-el-crimen-se-vuelve-psicologico\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">3. El crimen se vuelve psicol\u00f3gico<\/h2>\n<div style=\"display: inline-block; margin: 0 0 22px; padding: 8px 13px; background: #faf8fd; border: 1px solid #e2d9ec; border-radius: 999px; color: #4d239e; font-size: 14px; font-weight: 800; text-align: left;\">Thriller psicol\u00f3gico<\/div>\n<h3 id=\"21-extranos-en-un-tren-strangers-on-a-train-1950-patricia-highsmith\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">21. <em>Extra\u00f1os en un tren<\/em> (<em>Strangers on a Train<\/em>, 1950), Patricia Highsmith<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Dos hombres se conocen durante un viaje.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Uno propone intercambiar asesinatos.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Lo que parec\u00eda una conversaci\u00f3n comienza a convertirse en una posibilidad real.<\/p>\n<h3 id=\"22-el-talento-de-mr-ripley-the-talented-mr-ripley-1955-patricia-highsmith\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">22. <em>El talento de Mr. Ripley<\/em> (<em>The Talented Mr. Ripley<\/em>, 1955), Patricia Highsmith<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Tom Ripley no investiga al criminal.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Tom Ripley es el problema.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Highsmith consigue que permanezcamos dentro de su percepci\u00f3n.<\/p>\n<h3 id=\"23-la-bestia-se-acerca-beast-in-view-1955-margaret-millar\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">23. <em>La bestia se acerca<\/em> (<em>Beast in View<\/em>, 1955), Margaret Millar<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una perturbadora llamada telef\u00f3nica rompe la vida aislada de Helen Clarvoe.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Identidad y percepci\u00f3n se convierten en parte del misterio.<\/p>\n<h3 id=\"24-un-beso-antes-de-morir-a-kiss-before-dying-1953-ira-levin\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">24. <em>Un beso antes de morir<\/em> (<em>A Kiss Before Dying<\/em>, 1953), Ira Levin<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Ambici\u00f3n, embarazo, seducci\u00f3n y asesinato.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una novela que juega continuamente con la diferencia entre aquello que sabe el lector y aquello que saben los personajes.<\/p>\n<h3 id=\"25-el-coleccionista-the-collector-1963-john-fowles\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">25. <em>El coleccionista<\/em> (<em>The Collector<\/em>, 1963), John Fowles<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un hombre secuestra a una joven y la mantiene encerrada.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Las perspectivas convierten el crimen en una exploraci\u00f3n de posesi\u00f3n, poder y autoenga\u00f1o.<\/p>\n<h3 id=\"26-un-juicio-de-piedra-a-judgement-in-stone-1977-ruth-rendell\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">26. <em>Un juicio de piedra<\/em> (<em>A Judgement in Stone<\/em>, 1977), Ruth Rendell<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Rendell revela desde muy pronto elementos que otras novelas reservar\u00edan como sorpresa.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El verdadero misterio es descubrir c\u00f3mo puede producirse lo inevitable.<\/p>\n<h3 id=\"27-rebeca-rebecca-1938-daphne-du-maurier\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">27. <em>Rebeca<\/em> (<em>Rebecca<\/em>, 1938), Daphne du Maurier<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La segunda esposa de Maxim de Winter llega a Manderley.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La primera, Rebeca, est\u00e1 muerta.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Pero sigue ocupando pr\u00e1cticamente todas las habitaciones.<\/p>\n<h3 id=\"28-shutter-island-2003-dennis-lehane\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">28. <em>Shutter Island<\/em> (2003), Dennis Lehane<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un marshal llega a una instituci\u00f3n psiqui\u00e1trica situada en una isla para investigar una desaparici\u00f3n.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La investigaci\u00f3n empieza a alterar la percepci\u00f3n de la realidad.<\/p>\n<h3 id=\"29-perdida-gone-girl-2012-gillian-flynn\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">29. <em>Perdida<\/em> (<em>Gone Girl<\/em>, 2012), Gillian Flynn<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Amy desaparece.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Su marido se convierte r\u00e1pidamente en sospechoso.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Despu\u00e9s empezamos a descubrir que ninguna versi\u00f3n del matrimonio era tan sencilla como parec\u00eda.<\/p>\n<h3 id=\"30-heridas-abiertas-sharp-objects-2006-gillian-flynn\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">30. <em>Heridas abiertas<\/em> (<em>Sharp Objects<\/em>, 2006), Gillian Flynn<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una periodista vuelve a la localidad donde creci\u00f3 para investigar asesinatos de ni\u00f1as.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La investigaci\u00f3n tambi\u00e9n abre heridas familiares que nunca desaparecieron.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"4-espionaje-conspiraciones-y-traiciones\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">4. Espionaje, conspiraciones y traiciones<\/h2>\n<div style=\"display: inline-block; margin: 0 0 22px; padding: 8px 13px; background: #faf8fd; border: 1px solid #e2d9ec; border-radius: 999px; color: #4d239e; font-size: 14px; font-weight: 800; text-align: left;\">Espionaje y conspiraci\u00f3n<\/div>\n<h3 id=\"31-los-treinta-y-nueve-escalones-the-thirty-nine-steps-1915-john-buchan\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">31. <em>Los treinta y nueve escalones<\/em> (<em>The Thirty-Nine Steps<\/em>, 1915), John Buchan<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Richard Hannay queda atrapado en una conspiraci\u00f3n internacional y debe huir mientras intenta comprender qu\u00e9 est\u00e1 ocurriendo.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Uno de los grandes antepasados del thriller de persecuci\u00f3n.<\/p>\n<h3 id=\"32-el-enigma-de-las-arenas-the-riddle-of-the-sands-1903-erskine-childers\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">32. <em>El enigma de las arenas<\/em> (<em>The Riddle of the Sands<\/em>, 1903), Erskine Childers<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un viaje en velero conduce hacia sospechas de espionaje alem\u00e1n.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Aventura e inteligencia internacional antes de la Primera Guerra Mundial.<\/p>\n<h3 id=\"33-la-mascara-de-dimitrios-the-mask-of-dimitrios-1939-eric-ambler\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">33. <em>La m\u00e1scara de Dimitrios<\/em> (<em>The Mask of Dimitrios<\/em>, 1939), Eric Ambler<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un escritor reconstruye la vida de un criminal muerto.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La investigaci\u00f3n abre una Europa de tr\u00e1fico, espionaje y corrupci\u00f3n.<\/p>\n<h3 id=\"34-animal-acorralado-rogue-male-1939-geoffrey-household\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">34. <em>Animal acorralado<\/em> (<em>Rogue Male<\/em>, 1939), Geoffrey Household<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un cazador brit\u00e1nico consigue apuntar con su rifle a un dictador extranjero.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Tras ser capturado y escapar, empieza una persecuci\u00f3n donde sobrevivir significa literalmente desaparecer.<\/p>\n<h3 id=\"35-desde-rusia-con-amor-from-russia-with-love-1957-ian-fleming\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">35. <em>Desde Rusia con amor<\/em> (<em>From Russia, with Love<\/em>, 1957), Ian Fleming<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">James Bond se convierte en objetivo de una operaci\u00f3n dise\u00f1ada para destruirlo.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una de las novelas donde el espionaje de Fleming funciona mejor como maquinaria narrativa.<\/p>\n<h3 id=\"36-el-candidato-de-manchuria-the-manchurian-candidate-1959-richard-condon\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">36. <em>El candidato de Manchuria<\/em> (<em>The Manchurian Candidate<\/em>, 1959), Richard Condon<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Guerra Fr\u00eda, manipulaci\u00f3n psicol\u00f3gica, pol\u00edtica y conspiraci\u00f3n.<\/p>\n<h3 id=\"37-the-ipcress-file-1962-len-deighton\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">37. <em>The IPCRESS File<\/em> (1962), Len Deighton<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Espionaje brit\u00e1nico sin el glamour de Bond.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Interrogatorios, burocracia y desconfianza sustituyen al c\u00f3ctel perfecto.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El t\u00edtulo original sigue siendo la referencia m\u00e1s reconocible cuando no se utiliza una edici\u00f3n espa\u00f1ola concreta.<\/p>\n<h3 id=\"38-el-espia-que-surgio-del-frio-the-spy-who-came-in-from-the-cold-1963-john-le-carre\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">38. <em>El esp\u00eda que surgi\u00f3 del fr\u00edo<\/em> (<em>The Spy Who Came in from the Cold<\/em>, 1963), John le Carr\u00e9<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Le Carr\u00e9 desmonta la fantas\u00eda heroica del espionaje.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Nadie parece completamente limpio.<\/p>\n<h3 id=\"39-chacal-the-day-of-the-jackal-1971-frederick-forsyth\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">39. <em>Chacal<\/em> (<em>The Day of the Jackal<\/em>, 1971), Frederick Forsyth<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un asesino profesional prepara un atentado contra Charles de Gaulle.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El suspense nace en buena medida de observar minuciosamente c\u00f3mo se prepara algo que sabemos que debe impedirse.<\/p>\n<h3 id=\"40-el-topo-tinker-tailor-soldier-spy-1974-john-le-carre\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">40. <em>El topo<\/em> (<em>Tinker Tailor Soldier Spy<\/em>, 1974), John le Carr\u00e9<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">George Smiley intenta encontrar un agente doble infiltrado en la inteligencia brit\u00e1nica.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Informaci\u00f3n contra informaci\u00f3n.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"5-el-gran-crimen-estadounidense-contemporaneo\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">5. El gran crimen estadounidense contempor\u00e1neo<\/h2>\n<div style=\"display: inline-block; margin: 0 0 22px; padding: 8px 13px; background: #faf8fd; border: 1px solid #e2d9ec; border-radius: 999px; color: #4d239e; font-size: 14px; font-weight: 800; text-align: left;\">Estados Unidos contempor\u00e1neo<\/div>\n<h3 id=\"41-presunto-inocente-presumed-innocent-1987-scott-turow\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">41. <em>Presunto inocente<\/em> (<em>Presumed Innocent<\/em>, 1987), Scott Turow<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un fiscal termina acusado del asesinato que estaba investigando.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Procedimiento judicial, matrimonio, poder y duda.<\/p>\n<h3 id=\"42-gorky-park-1981-martin-cruz-smith\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">42. <em>Gorky Park<\/em> (1981), Martin Cruz Smith<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Tres cad\u00e1veres aparecen en Mosc\u00fa.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La investigaci\u00f3n de Arkady Renko se convierte tambi\u00e9n en retrato de una estructura pol\u00edtica.<\/p>\n<h3 id=\"43-la-dalia-negra-the-black-dahlia-1987-james-ellroy\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">43. <em>La Dalia Negra<\/em> (<em>The Black Dahlia<\/em>, 1987), James Ellroy<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Ellroy utiliza el asesinato real de Elizabeth Short para construir una historia sobre obsesi\u00f3n, polic\u00eda y Los \u00c1ngeles.<\/p>\n<h3 id=\"44-l-a-confidential-1990-james-ellroy\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">44. <em>L.A. Confidential<\/em> (1990), James Ellroy<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Corrupci\u00f3n policial, prensa sensacionalista, racismo y Hollywood.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una ciudad entera convertida en escena del crimen.<\/p>\n<h3 id=\"45-el-demonio-vestido-de-azul-devil-in-a-blue-dress-1990-walter-mosley\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">45. <em>El demonio vestido de azul<\/em> (<em>Devil in a Blue Dress<\/em>, 1990), Walter Mosley<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Easy Rawlins recibe el encargo de localizar a una mujer.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El Los \u00c1ngeles afroamericano de posguerra se convierte en parte esencial del misterio.<\/p>\n<h3 id=\"46-postmortem-1990-patricia-cornwell\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">46. <em>Postmortem<\/em> (1990), Patricia Cornwell<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La doctora Kay Scarpetta investiga una serie de asesinatos utilizando medicina forense.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Cornwell fue decisiva en la popularizaci\u00f3n moderna del forensic thriller.<\/p>\n<h3 id=\"47-el-poeta-the-poet-1996-michael-connelly\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">47. <em>El poeta<\/em> (<em>The Poet<\/em>, 1996), Michael Connelly<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un periodista investiga la muerte de su hermano gemelo, aparentemente un suicidio.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Las similitudes con otros casos empiezan a cambiar la historia.<\/p>\n<h3 id=\"48-mystic-river-2001-dennis-lehane\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">48. <em>Mystic River<\/em> (2001), Dennis Lehane<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Tres hombres marcados por un trauma infantil vuelven a encontrarse alrededor de un asesinato.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La investigaci\u00f3n es tambi\u00e9n una historia sobre culpa y consecuencias.<\/p>\n<h3 id=\"49-en-la-niebla-electrica-in-the-electric-mist-with-confederate-dead-1993-james-lee-burke\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">49. <em>En la niebla el\u00e9ctrica<\/em> (<em>In the Electric Mist with Confederate Dead<\/em>, 1993), James Lee Burke<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Dave Robicheaux investiga un asesinato en Luisiana mientras pasado, violencia y memoria comienzan a mezclarse.<\/p>\n<h3 id=\"50-el-poder-del-perro-the-power-of-the-dog-2005-don-winslow\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">50. <em>El poder del perro<\/em> (<em>The Power of the Dog<\/em>, 2005), Don Winslow<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">D\u00e9cadas de guerra contra el narcotr\u00e1fico.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">M\u00e1s que un thriller, una extensa novela sobre instituciones, violencia, pol\u00edtica y poder.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"6-reino-unido-e-irlanda-despues-de-christie\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">6. Reino Unido e Irlanda despu\u00e9s de Christie<\/h2>\n<div style=\"display: inline-block; margin: 0 0 22px; padding: 8px 13px; background: #faf8fd; border: 1px solid #e2d9ec; border-radius: 999px; color: #4d239e; font-size: 14px; font-weight: 800; text-align: left;\">Reino Unido e Irlanda<\/div>\n<h3 id=\"51-sabor-a-muerte-a-taste-for-death-1986-p-d-james\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">51. <em>Sabor a muerte<\/em> (<em>A Taste for Death<\/em>, 1986), P. D. James<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Dos cad\u00e1veres aparecen degollados en una iglesia.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Adam Dalgliesh debe averiguar qu\u00e9 une a dos v\u00edctimas socialmente muy diferentes.<\/p>\n<h3 id=\"52-la-muerte-de-jericho-the-dead-of-jericho-1981-colin-dexter\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">52. <em>La muerte de Jericho<\/em> (<em>The Dead of Jericho<\/em>, 1981), Colin Dexter<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El inspector Morse regresa a una muerte aparentemente sencilla que empieza a mostrar contradicciones.<\/p>\n<h3 id=\"53-black-blue-1997-ian-rankin\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">53. <em>Black &amp; Blue<\/em> (1997), Ian Rankin<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">John Rebus investiga un asesinato mientras Escocia revive el recuerdo de un antiguo asesino en serie.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La edici\u00f3n espa\u00f1ola ha mantenido tambi\u00e9n el t\u00edtulo <em>Black &amp; Blue<\/em>.<\/p>\n<h3 id=\"54-el-canto-de-las-sirenas-the-mermaids-singing-1995-val-mcdermid\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">54. <em>El canto de las sirenas<\/em> (<em>The Mermaids Singing<\/em>, 1995), Val McDermid<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El psic\u00f3logo Tony Hill y la polic\u00eda Carol Jordan intentan comprender a un asesino en serie.<\/p>\n<h3 id=\"55-muerte-en-glasgow-garnethill-1998-denise-mina\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">55. <em>Muerte en Glasgow<\/em> (<em>Garnethill<\/em>, 1998), Denise Mina<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Maureen O&#8217;Donnell encuentra un cad\u00e1ver en su casa despu\u00e9s de una noche de alcohol.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Trauma, clase y Glasgow forman parte del misterio.<\/p>\n<h3 id=\"56-el-silencio-del-bosque-in-the-woods-2007-tana-french\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">56. <em>El silencio del bosque<\/em> (<em>In the Woods<\/em>, 2007), Tana French<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un detective investiga el asesinato de una ni\u00f1a en el bosque donde dos amigos suyos desaparecieron cuando era peque\u00f1o.<\/p>\n<h3 id=\"57-negro-como-el-cuervo-raven-black-2006-ann-cleeves\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">57. <em>Negro como el cuervo<\/em> (<em>Raven Black<\/em>, 2006), Ann Cleeves<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El asesinato de una joven altera una peque\u00f1a comunidad de las islas Shetland.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Paisaje, aislamiento y sospecha.<\/p>\n<h3 id=\"58-el-club-del-crimen-de-los-jueves-the-thursday-murder-club-2020-richard-osman\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">58. <em>El club del crimen de los jueves<\/em> (<em>The Thursday Murder Club<\/em>, 2020), Richard Osman<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Cuatro jubilados aficionados a estudiar casos sin resolver encuentran uno nuevo delante de ellos.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una obra clave del renacimiento contempor\u00e1neo del cozy crime.<\/p>\n<h3 id=\"59-asesinatos-de-urraca-magpie-murders-2016-anthony-horowitz\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">59. <em>Asesinatos de urraca<\/em> (<em>Magpie Murders<\/em>, 2016), Anthony Horowitz<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una editora lee el \u00faltimo manuscrito de un famoso escritor de misterio.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El libro dentro del libro empieza a conectarse con la realidad.<\/p>\n<h3 id=\"60-la-apelacion-the-appeal-2021-janice-hallett\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">60. <em>La apelaci\u00f3n<\/em> (<em>The Appeal<\/em>, 2021), Janice Hallett<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Correos electr\u00f3nicos, mensajes y documentos sustituyen a la narraci\u00f3n convencional.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El lector tiene que organizar las pruebas.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"7-nordic-noir\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">7. Nordic noir<\/h2>\n<div style=\"display: inline-block; margin: 0 0 22px; padding: 8px 13px; background: #faf8fd; border: 1px solid #e2d9ec; border-radius: 999px; color: #4d239e; font-size: 14px; font-weight: 800; text-align: left;\">Pa\u00edses n\u00f3rdicos<\/div>\n<h3 id=\"61-el-policia-que-rie-den-skrattande-polisen-1968-maj-sjowall-y-per-wahloo\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">61. <em>El polic\u00eda que r\u00ede<\/em> (<em>Den skrattande polisen<\/em>, 1968), Maj Sj\u00f6wall y Per Wahl\u00f6\u00f6<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una matanza en un autob\u00fas conduce a Martin Beck hacia una investigaci\u00f3n que observa tambi\u00e9n la sociedad sueca.<\/p>\n<h3 id=\"62-asesinos-sin-rostro-mordare-utan-ansikte-1991-henning-mankell\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">62. <em>Asesinos sin rostro<\/em> (<em>M\u00f6rdare utan ansikte<\/em>, 1991), Henning Mankell<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Wallander investiga un doble asesinato.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La violencia abre inmediatamente cuestiones sociales y pol\u00edticas.<\/p>\n<h3 id=\"63-la-quinta-mujer-den-femte-kvinnan-1996-henning-mankell\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">63. <em>La quinta mujer<\/em> (<em>Den femte kvinnan<\/em>, 1996), Henning Mankell<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una serie de muertes obliga a Wallander a buscar conexiones entre v\u00edctimas aparentemente distintas.<\/p>\n<h3 id=\"64-los-hombres-que-no-amaban-a-las-mujeres-man-som-hatar-kvinnor-2005-stieg-larsson\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">64. <em>Los hombres que no amaban a las mujeres<\/em> (<em>M\u00e4n som hatar kvinnor<\/em>, 2005), Stieg Larsson<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Mikael Blomkvist y Lisbeth Salander investigan una desaparici\u00f3n dentro de una poderosa familia.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Periodismo, dinero y violencia contra las mujeres.<\/p>\n<h3 id=\"65-la-mujer-de-verde-grafarogn-2001-arnaldur-indriason\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">65. <em>La mujer de verde<\/em> (<em>Grafar\u00fe\u00f6gn<\/em>, 2001), Arnaldur Indri\u00f0ason<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Unos huesos encontrados en Reikiavik conducen hacia una historia de violencia dom\u00e9stica enterrada durante d\u00e9cadas.<\/p>\n<h3 id=\"66-el-muneco-de-nieve-snmannen-2007-jo-nesb\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">66. <em>El mu\u00f1eco de nieve<\/em> (<em>Sn\u00f8mannen<\/em>, 2007), Jo Nesb\u00f8<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Mujeres desaparecidas y mu\u00f1ecos de nieve aparecen vinculados en la investigaci\u00f3n de Harry Hole.<\/p>\n<h3 id=\"67-la-mujer-que-aranaba-las-paredes-kvinden-i-buret-2007-jussi-adler-olsen\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">67. <em>La mujer que ara\u00f1aba las paredes<\/em> (<em>Kvinden i buret<\/em>, 2007), Jussi Adler-Olsen<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Carl M\u00f8rck empieza a trabajar en el Departamento Q y recupera el caso de una mujer desaparecida a\u00f1os atr\u00e1s.<\/p>\n<h3 id=\"68-el-caso-hartung-kastanjemanden-2018-sren-sveistrup\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">68. <em>El caso Hartung<\/em> (<em>Kastanjemanden<\/em>, 2018), S\u00f8ren Sveistrup<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Junto a una v\u00edctima aparece una peque\u00f1a figura construida con casta\u00f1as.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La prueba conecta con una desaparici\u00f3n anterior.<\/p>\n<h3 id=\"69-el-hipnotista-hypnotisoren-2009-lars-kepler\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">69. <em>El hipnotista<\/em> (<em>Hypnotis\u00f6ren<\/em>, 2009), Lars Kepler<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una familia es atacada brutalmente.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Para obtener informaci\u00f3n de un superviviente, la investigaci\u00f3n recurre a un hipnotizador.<\/p>\n<h3 id=\"70-aurora-boreal-solstorm-2003-asa-larsson\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">70. <em>Aurora boreal<\/em> (<em>Solstorm<\/em>, 2003), \u00c5sa Larsson<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Rebecka Martinsson vuelve al norte de Suecia despu\u00e9s del asesinato de un l\u00edder religioso.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El regreso significa tambi\u00e9n enfrentarse a su propio pasado.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"8-polar-frances-belga-y-noir-mediterraneo\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">8. Polar franc\u00e9s, belga y noir mediterr\u00e1neo<\/h2>\n<div style=\"display: inline-block; margin: 0 0 22px; padding: 8px 13px; background: #faf8fd; border: 1px solid #e2d9ec; border-radius: 999px; color: #4d239e; font-size: 14px; font-weight: 800; text-align: left;\">Francia, B\u00e9lgica y Mediterr\u00e1neo<\/div>\n<h3 id=\"71-maigret-tiende-una-trampa-maigret-tend-un-piege-1955-georges-simenon\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">71. <em>Maigret tiende una trampa<\/em> (<em>Maigret tend un pi\u00e8ge<\/em>, 1955), Georges Simenon<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Maigret intenta provocar a un asesino que est\u00e1 atacando mujeres en Par\u00eds.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una excelente entrada al universo psicol\u00f3gico de Simenon.<\/p>\n<h3 id=\"72-calle-de-la-estacion-120-120-rue-de-la-gare-1943-leo-malet\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">72. <em>Calle de la Estaci\u00f3n, 120<\/em> (<em>120, rue de la Gare<\/em>, 1943), L\u00e9o Malet<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La primera gran aventura de Nestor Burma.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un mensaje pronunciado por un moribundo se convierte en el inicio de la investigaci\u00f3n.<\/p>\n<h3 id=\"73-caza-al-asesino-la-position-du-tireur-couche-1981-jean-patrick-manchette\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">73. <em>Caza al asesino<\/em> (<em>La Position du tireur couch\u00e9<\/em>, 1981), Jean-Patrick Manchette<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Martin Terrier quiere retirarse despu\u00e9s de a\u00f1os como asesino profesional.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Sus antiguos empleadores tienen otros planes.<\/p>\n<h3 id=\"74-total-kheops-1995-jean-claude-izzo\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">74. <em>Total Kh\u00e9ops<\/em> (1995), Jean-Claude Izzo<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Marsella, amistad, inmigraci\u00f3n, racismo y crimen.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una obra esencial para comprender el noir mediterr\u00e1neo.<\/p>\n<h3 id=\"75-huye-rapido-vete-lejos-pars-vite-et-reviens-tard-2001-fred-vargas\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">75. <em>Huye r\u00e1pido, vete lejos<\/em> (<em>Pars vite et reviens tard<\/em>, 2001), Fred Vargas<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Extra\u00f1os s\u00edmbolos aparecen pintados en Par\u00eds.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Jean-Baptiste Adamsberg sospecha que anuncian algo mucho m\u00e1s peligroso.<\/p>\n<h3 id=\"76-irene-travail-soigne-2006-pierre-lemaitre\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">76. <em>Irene<\/em> (<em>Travail soign\u00e9<\/em>, 2006), Pierre Lemaitre<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Camille Verhoeven investiga asesinatos especialmente violentos.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La relaci\u00f3n de los cr\u00edmenes con la literatura transforma el caso.<\/p>\n<h3 id=\"77-vestido-de-novia-robe-de-marie-2009-pierre-lemaitre\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">77. <em>Vestido de novia<\/em> (<em>Robe de mari\u00e9<\/em>, 2009), Pierre Lemaitre<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Sophie descubre indicios de acciones terribles que no recuerda haber cometido.<\/p>\n<h3 id=\"78-los-rios-de-color-purpura-les-rivieres-pourpres-1998-jean-christophe-grange\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">78. <em>Los r\u00edos de color p\u00farpura<\/em> (<em>Les Rivi\u00e8res pourpres<\/em>, 1998), Jean-Christophe Grang\u00e9<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Dos investigaciones avanzan en paralelo hasta revelar que pertenecen a una trama com\u00fan.<\/p>\n<h3 id=\"79-codigo-93-code-93-2013-olivier-norek\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">79. <em>C\u00f3digo 93<\/em> (<em>Code 93<\/em>, 2013), Olivier Norek<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Victor Coste investiga una sucesi\u00f3n de cr\u00edmenes en Seine-Saint-Denis.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Polic\u00eda y territorio est\u00e1n estrechamente unidos.<\/p>\n<h3 id=\"80-solo-las-bestias-seules-les-betes-2017-colin-niel\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">80. <em>Solo las bestias<\/em> (<em>Seules les b\u00eates<\/em>, 2017), Colin Niel<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La desaparici\u00f3n de una mujer conecta varias vidas entre Francia y \u00c1frica.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La estructura multiperspectiva modifica continuamente lo que creemos saber.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"9-diez-pilares-de-la-novela-negra-espanola\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">9. Diez pilares de la novela negra espa\u00f1ola<\/h2>\n<div style=\"display: inline-block; margin: 0 0 22px; padding: 8px 13px; background: #faf8fd; border: 1px solid #e2d9ec; border-radius: 999px; color: #4d239e; font-size: 14px; font-weight: 800; text-align: left;\">Novela negra espa\u00f1ola<\/div>\n<h3 id=\"81-los-mares-del-sur-1979-manuel-vazquez-montalban\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">81. <em>Los mares del sur<\/em> (1979), Manuel V\u00e1zquez Montalb\u00e1n<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Pepe Carvalho investiga la muerte de un empresario.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Barcelona, clases sociales y Transici\u00f3n son tan importantes como el crimen.<\/p>\n<h3 id=\"82-protesis-1980-andreu-martin\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">82. <em>Pr\u00f3tesis<\/em> (1980), Andreu Mart\u00edn<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una novela brutal y urbana que ayud\u00f3 a construir una tradici\u00f3n negra espa\u00f1ola propia.<\/p>\n<h3 id=\"83-dias-contados-1993-juan-madrid\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">83. <em>D\u00edas contados<\/em> (1993), Juan Madrid<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Periodismo, narcotr\u00e1fico, marginalidad y polic\u00eda en un Madrid muy alejado de cualquier postal.<\/p>\n<h3 id=\"84-cronica-sentimental-en-rojo-1984-francisco-gonzalez-ledesma\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">84. <em>Cr\u00f3nica sentimental en rojo<\/em> (1984), Francisco Gonz\u00e1lez Ledesma<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Ricardo M\u00e9ndez recorre una Barcelona popular donde crimen y memoria social son inseparables.<\/p>\n<h3 id=\"85-ritos-de-muerte-1996-alicia-gimenez-bartlett\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">85. <em>Ritos de muerte<\/em> (1996), Alicia Gim\u00e9nez Bartlett<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Primera aparici\u00f3n de Petra Delicado.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una inspectora que terminar\u00eda convirti\u00e9ndose en uno de los personajes m\u00e1s reconocibles del policial espa\u00f1ol.<\/p>\n<h3 id=\"86-el-alquimista-impaciente-2000-lorenzo-silva\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">86. <em>El alquimista impaciente<\/em> (2000), Lorenzo Silva<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Bevilacqua y Chamorro investigan la muerte de un hombre encontrado en un motel.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Procedimiento policial y observaci\u00f3n social.<\/p>\n<h3 id=\"87-plenilunio-1997-antonio-munoz-molina\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">87. <em>Plenilunio<\/em> (1997), Antonio Mu\u00f1oz Molina<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un inspector persigue al responsable de un crimen mientras la novela observa tambi\u00e9n obsesi\u00f3n, violencia y mirada.<\/p>\n<h3 id=\"88-la-playa-de-los-ahogados-2009-domingo-villar\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">88. <em>La playa de los ahogados<\/em> (2009), Domingo Villar<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El cad\u00e1ver de un marinero aparece en Galicia.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Leo Caldas descubre r\u00e1pidamente que los silencios de una comunidad tambi\u00e9n son pruebas.<\/p>\n<h3 id=\"89-el-guardian-invisible-2013-dolores-redondo\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">89. <em>El guardi\u00e1n invisible<\/em> (2013), Dolores Redondo<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Amaia Salazar vuelve al valle del Bazt\u00e1n para investigar varios asesinatos.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Crimen, familia, paisaje y tradici\u00f3n local.<\/p>\n<h3 id=\"90-memento-mori-2013-cesar-perez-gellida\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">90. <em>Memento mori<\/em> (2013), C\u00e9sar P\u00e9rez Gellida<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un asesinato en Valladolid abre un juego entre polic\u00eda y criminal que contin\u00faa a trav\u00e9s de varias novelas.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"10-mas-novela-criminal-espanola-que-merece-recuperarse\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">10. M\u00e1s novela criminal espa\u00f1ola que merece recuperarse<\/h2>\n<div style=\"display: inline-block; margin: 0 0 22px; padding: 8px 13px; background: #faf8fd; border: 1px solid #e2d9ec; border-radius: 999px; color: #4d239e; font-size: 14px; font-weight: 800; text-align: left;\">Espa\u00f1a \u00b7 otras rutas<\/div>\n<h3 id=\"91-la-gota-de-sangre-1911-emilia-pardo-bazan\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">91. <em>La gota de sangre<\/em> (1911), Emilia Pardo Baz\u00e1n<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una incursi\u00f3n temprana y fascinante de Pardo Baz\u00e1n en el relato detectivesco.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Tambi\u00e9n recuerda que el policial espa\u00f1ol no comenz\u00f3 en la Transici\u00f3n.<\/p>\n<h3 id=\"92-las-hermanas-coloradas-1970-francisco-garcia-pavon\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">92. <em>Las hermanas coloradas<\/em> (1970), Francisco Garc\u00eda Pav\u00f3n<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Plinio sale de Tomelloso para investigar una desaparici\u00f3n relacionada con Madrid.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Costumbrismo y misterio construyen una v\u00eda policial muy espa\u00f1ola.<\/p>\n<h3 id=\"93-no-acosen-al-asesino-2001-jose-maria-guelbenzu\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">93. <em>No acosen al asesino<\/em> (2001), Jos\u00e9 Mar\u00eda Guelbenzu<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Primera aparici\u00f3n de la jueza Mariana de Marco.<\/p>\n<h3 id=\"94-un-crimen-imperfecto-2006-teresa-solana\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">94. <em>Un crimen imperfecto<\/em> (2006), Teresa Solana<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Dos hermanos que se hacen pasar por detectives profesionales investigan un caso en Barcelona.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Humor y s\u00e1tira social acompa\u00f1an al misterio.<\/p>\n<h3 id=\"95-black-black-black-2010-marta-sanz\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">95. <em>Black, black, black<\/em> (2010), Marta Sanz<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Marta Sanz utiliza los c\u00f3digos de la novela negra para cuestionar identidad, precariedad y las convenciones del propio g\u00e9nero.<\/p>\n<h3 id=\"96-no-llames-a-casa-2012-carlos-zanon\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">96. <em>No llames a casa<\/em> (2012), Carlos Zan\u00f3n<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Chantaje, precariedad y vidas que se cruzan en una Barcelona nada tur\u00edstica.<\/p>\n<h3 id=\"97-verano-en-rojo-2012-berna-gonzalez-harbour\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">97. <em>Verano en rojo<\/em> (2012), Berna Gonz\u00e1lez Harbour<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La comisaria Mar\u00eda Ruiz investiga la muerte de un adolescente en Madrid.<\/p>\n<h3 id=\"98-sin-retorno-2015-susana-rodriguez-lezaun\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">98. <em>Sin retorno<\/em> (2015), Susana Rodr\u00edguez Lezaun<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un incendio mortal abre una investigaci\u00f3n donde el pasado de los personajes resulta cada vez m\u00e1s importante.<\/p>\n<h3 id=\"99-el-mal-camino-2015-mikel-santiago\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">99. <em>El mal camino<\/em> (2015), Mikel Santiago<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un accidente observado en una carretera francesa pone en peligro una vida aparentemente tranquila.<\/p>\n<h3 id=\"100-la-verdad-sobre-el-caso-savolta-1975-eduardo-mendoza\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">100. <em>La verdad sobre el caso Savolta<\/em> (1975), Eduardo Mendoza<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">No es una novela policiaca convencional, pero crimen, corrupci\u00f3n empresarial, investigaci\u00f3n y documentos forman parte de su estructura.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una obra decisiva de la narrativa espa\u00f1ola contempor\u00e1nea.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"11-america-latina-y-el-neopoliciaco\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">11. Am\u00e9rica Latina y el neopolic\u00edaco<\/h2>\n<div style=\"display: inline-block; margin: 0 0 22px; padding: 8px 13px; background: #faf8fd; border: 1px solid #e2d9ec; border-radius: 999px; color: #4d239e; font-size: 14px; font-weight: 800; text-align: left;\">Neopolic\u00edaco latinoamericano<\/div>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La novela criminal latinoamericana realiz\u00f3 una transformaci\u00f3n fundamental.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La pregunta dej\u00f3 de ser \u00fanicamente:<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\"><strong>\u00ab\u00bfQui\u00e9n cometi\u00f3 el crimen?\u00bb<\/strong><\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Muchas veces pas\u00f3 a ser:<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\"><strong>\u00ab\u00bfQu\u00e9 ocurre cuando el sistema que deber\u00eda resolver el crimen forma parte del problema?\u00bb<\/strong><\/p>\n<h3 id=\"101-dias-de-combate-1976-paco-ignacio-taibo-ii\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">101. <em>D\u00edas de combate<\/em> (1976), Paco Ignacio Taibo II<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Primera aventura de H\u00e9ctor Belascoar\u00e1n Shayne.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Ciudad de M\u00e9xico transforma la figura del detective privado.<\/p>\n<h3 id=\"102-luna-caliente-1983-mempo-giardinelli\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">102. <em>Luna caliente<\/em> (1983), Mempo Giardinelli<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Deseo, asesinato y dictadura argentina dentro de una novela asfixiante.<\/p>\n<h3 id=\"103-agosto-1990-rubem-fonseca\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">103. <em>Agosto<\/em> (1990), Rubem Fonseca<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Crimen y pol\u00edtica durante los \u00faltimos d\u00edas de Get\u00falio Vargas.<\/p>\n<h3 id=\"104-abril-rojo-2006-santiago-roncagliolo\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">104. <em>Abril rojo<\/em> (2006), Santiago Roncagliolo<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un fiscal investiga asesinatos en Ayacucho.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Las heridas del conflicto peruano siguen muy presentes.<\/p>\n<h3 id=\"105-plata-quemada-1997-ricardo-piglia\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">105. <em>Plata quemada<\/em> (1997), Ricardo Piglia<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un robo real se convierte en literatura sobre delincuencia, persecuci\u00f3n, deseo y violencia.<\/p>\n<h3 id=\"106-dos-crimenes-1979-jorge-ibarguengoitia\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">106. <em>Dos cr\u00edmenes<\/em> (1979), Jorge Ibarg\u00fcengoitia<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Humor negro y crimen en una novela que desmonta muchas de las solemnidades del g\u00e9nero.<\/p>\n<h3 id=\"107-las-viudas-de-los-jueves-2005-claudia-pineiro\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">107. <em>Las viudas de los jueves<\/em> (2005), Claudia Pi\u00f1eiro<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Varias muertes dentro de una urbanizaci\u00f3n de lujo permiten observar qu\u00e9 se esconde detr\u00e1s de la prosperidad.<\/p>\n<h3 id=\"108-balas-de-plata-2008-elmer-mendoza\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">108. <em>Balas de plata<\/em> (2008), \u00c9lmer Mendoza<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El detective Zurdo Mendieta investiga dentro de un mundo marcado por narcotr\u00e1fico, pol\u00edtica y corrupci\u00f3n.<\/p>\n<h3 id=\"109-boleros-en-la-habana-1994-roberto-ampuero\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">109. <em>Boleros en La Habana<\/em> (1994), Roberto Ampuero<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Cayetano Brul\u00e9 se mueve entre Chile y Cuba dentro de una intriga donde pol\u00edtica y desplazamiento latinoamericano tienen peso propio.<\/p>\n<h3 id=\"110-perder-es-cuestion-de-metodo-1997-santiago-gamboa\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">110. <em>Perder es cuesti\u00f3n de m\u00e9todo<\/em> (1997), Santiago Gamboa<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un cad\u00e1ver encontrado cerca de Bogot\u00e1 conduce a una investigaci\u00f3n sobre corrupci\u00f3n, intereses inmobiliarios y poder.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"12-japon-y-la-novela-criminal-asiatica\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">12. Jap\u00f3n y la novela criminal asi\u00e1tica<\/h2>\n<div style=\"display: inline-block; margin: 0 0 22px; padding: 8px 13px; background: #faf8fd; border: 1px solid #e2d9ec; border-radius: 999px; color: #4d239e; font-size: 14px; font-weight: 800; text-align: left;\">Jap\u00f3n y Asia<\/div>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Jap\u00f3n ofrece una de las tradiciones de misterio m\u00e1s ricas fuera del eje anglosaj\u00f3n.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Conviven all\u00ed:<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Misterio deductivo.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Honkaku.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Thriller psicol\u00f3gico.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Procedimental.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Novela social.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Crimen dom\u00e9stico.<\/li>\n<\/ul>\n<h3 id=\"111-el-expreso-de-tokio-ten-to-sen-1958-seicho-matsumoto\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">111. <em>El expreso de Tokio<\/em> (<em>Ten to Sen<\/em>, 1958), Seich\u014d Matsumoto<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Horarios de trenes, distancias y coartadas se convierten en aut\u00e9ntica ingenier\u00eda detectivesca.<\/p>\n<h3 id=\"112-out-1997-natsuo-kirino\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">112. <em>Out<\/em> (1997), Natsuo Kirino<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Cuatro trabajadoras de una f\u00e1brica quedan involucradas en el encubrimiento de un asesinato.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La novela va mucho m\u00e1s all\u00e1 del \u00ab\u00bfqui\u00e9n lo hizo?\u00bb.<\/p>\n<h3 id=\"113-la-devocion-del-sospechoso-x-yogisha-x-no-kenshin-2005-keigo-higashino\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">113. <em>La devoci\u00f3n del sospechoso X<\/em> (<em>Y\u014dgisha X no Kenshin<\/em>, 2005), Keigo Higashino<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Conocemos muy pronto gran parte del crimen.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El suspense nace del duelo entre quien intenta ocultarlo y quien intenta demostrarlo.<\/p>\n<h3 id=\"114-malicia-akui-1996-keigo-higashino\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">114. <em>Malicia<\/em> (<em>Akui<\/em>, 1996), Keigo Higashino<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El asesinato de un escritor se convierte progresivamente en una investigaci\u00f3n sobre motivos, relatos y reputaci\u00f3n.<\/p>\n<h3 id=\"115-la-luz-de-la-noche-byakuyako-1999-keigo-higashino\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">115. <em>La luz de la noche<\/em> (<em>Byakuyak\u014d<\/em>, 1999), Keigo Higashino<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una muerte conecta dos vidas durante a\u00f1os.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Higashino convierte la investigaci\u00f3n en una historia de largo recorrido.<\/p>\n<h3 id=\"116-confesiones-kokuhaku-2008-kanae-minato\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">116. <em>Confesiones<\/em> (<em>Kokuhaku<\/em>, 2008), Kanae Minato<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una profesora comunica a sus alumnos que sabe qui\u00e9n caus\u00f3 la muerte de su hija.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Lo importante empieza despu\u00e9s de la revelaci\u00f3n.<\/p>\n<h3 id=\"117-seis-cuatro-64-2012-hideo-yokoyama\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">117. <em>Seis cuatro<\/em> (<em>64<\/em>, 2012), Hideo Yokoyama<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un antiguo secuestro, polic\u00eda, prensa y jerarqu\u00edas institucionales.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un procedimental minucioso y poco convencional.<\/p>\n<h3 id=\"118-los-crimenes-del-zodiaco-de-tokio-the-tokyo-zodiac-murders-1981-soji-shimada\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">118. <em>Los cr\u00edmenes del zodiaco de Tokio<\/em> (<em>The Tokyo Zodiac Murders<\/em>, 1981), S\u014dji Shimada<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Uno de los grandes desaf\u00edos deductivos del misterio japon\u00e9s moderno.<\/p>\n<h3 id=\"119-asesinato-en-el-honjin-honjin-satsujin-jiken-1946-seishi-yokomizo\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">119. <em>Asesinato en el Honjin<\/em> (<em>Honjin satsujin jiken<\/em>, 1946), Seishi Yokomizo<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una pareja aparece asesinada dentro de una estancia aparentemente imposible de penetrar.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">K\u014dsuke Kindaichi se enfrenta al enigma.<\/p>\n<h3 id=\"120-la-llave-maestra-the-master-key-1962-masako-togawa\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">120. <em>La llave maestra<\/em> (<em>The Master Key<\/em>, 1962), Masako Togawa<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un edificio habitado por mujeres, una llave capaz de abrir todas las puertas y numerosos secretos.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"13-italia-alemania-canada-sudafrica-australia-y-otros-territorios\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">13. Italia, Alemania, Canad\u00e1, Sud\u00e1frica, Australia y otros territorios<\/h2>\n<div style=\"display: inline-block; margin: 0 0 22px; padding: 8px 13px; background: #faf8fd; border: 1px solid #e2d9ec; border-radius: 999px; color: #4d239e; font-size: 14px; font-weight: 800; text-align: left;\">Otros territorios<\/div>\n<h3 id=\"121-el-nombre-de-la-rosa-il-nome-della-rosa-1980-umberto-eco\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">121. <em>El nombre de la rosa<\/em> (<em>Il nome della rosa<\/em>, 1980), Umberto Eco<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un monasterio medieval.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una biblioteca.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Varios muertos.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Guillermo de Baskerville investiga mientras la novela habla tambi\u00e9n de conocimiento, poder y religi\u00f3n.<\/p>\n<h3 id=\"122-el-dia-de-la-lechuza-il-giorno-della-civetta-1961-leonardo-sciascia\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">122. <em>El d\u00eda de la lechuza<\/em> (<em>Il giorno della civetta<\/em>, 1961), Leonardo Sciascia<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El asesinato de un empresario siciliano obliga a investigar en un territorio donde mafia y poder est\u00e1n profundamente relacionados.<\/p>\n<h3 id=\"123-el-perro-de-terracota-il-cane-di-terracotta-1996-andrea-camilleri\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">123. <em>El perro de terracota<\/em> (<em>Il cane di terracotta<\/em>, 1996), Andrea Camilleri<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Montalbano encuentra un antiguo crimen detr\u00e1s de otro contempor\u00e1neo.<\/p>\n<h3 id=\"124-muerte-en-la-fenice-death-at-la-fenice-1992-donna-leon\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">124. <em>Muerte en La Fenice<\/em> (<em>Death at La Fenice<\/em>, 1992), Donna Leon<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El comisario Brunetti investiga la muerte de un famoso director de orquesta en Venecia.<\/p>\n<h3 id=\"125-la-promesa-das-versprechen-1958-friedrich-durrenmatt\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">125. <em>La promesa<\/em> (<em>Das Versprechen<\/em>, 1958), Friedrich D\u00fcrrenmatt<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una investigaci\u00f3n se convierte en obsesi\u00f3n.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">D\u00fcrrenmatt cuestiona adem\u00e1s la idea de que la realidad deba obedecer las reglas perfectas de una novela detectivesca.<\/p>\n<h3 id=\"126-el-caso-collini-der-fall-collini-2011-ferdinand-von-schirach\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">126. <em>El caso Collini<\/em> (<em>Der Fall Collini<\/em>, 2011), Ferdinand von Schirach<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un hombre asesina aparentemente sin motivo.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La investigaci\u00f3n conduce hacia una cuesti\u00f3n jur\u00eddica e hist\u00f3rica mucho mayor.<\/p>\n<h3 id=\"127-la-isla-de-los-cazadores-de-pajaros-the-blackhouse-edicion-espanola-2011-peter-may\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">127. <em>La isla de los cazadores de p\u00e1jaros<\/em> (<em>The Blackhouse<\/em>, edici\u00f3n espa\u00f1ola 2011), Peter May<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Fin Macleod regresa a la isla de Lewis para investigar un asesinato.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Pasado personal, paisaje y crimen empiezan a confundirse.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La historia editorial de la obra es particular, ya que circul\u00f3 inicialmente en traducci\u00f3n francesa antes de consolidarse posteriormente en ingl\u00e9s y espa\u00f1ol.<\/p>\n<h3 id=\"128-zulu-2008-caryl-ferey\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">128. <em>Zulu<\/em> (2008), Caryl F\u00e9rey<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Ciudad del Cabo, violencia y heridas hist\u00f3ricas dentro de un noir extremadamente duro.<\/p>\n<h3 id=\"129-trece-horas-thirteen-hours-2009-deon-meyer\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">129. <em>Trece horas<\/em> (<em>Thirteen Hours<\/em>, 2009), Deon Meyer<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Varias investigaciones y una persecuci\u00f3n contrarreloj muestran otra vertiente de la novela criminal sudafricana.<\/p>\n<h3 id=\"130-anos-de-sequia-the-dry-2016-jane-harper\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">130. <em>A\u00f1os de sequ\u00eda<\/em> (<em>The Dry<\/em>, 2016), Jane Harper<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Aaron Falk vuelve a una comunidad australiana golpeada por la sequ\u00eda para asistir a un funeral.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La versi\u00f3n oficial de una tragedia empieza a mostrar fisuras.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"14-grandes-nombres-que-suelen-quedar-fuera-de-las-listas-mas-repetidas\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">14. Grandes nombres que suelen quedar fuera de las listas m\u00e1s repetidas<\/h2>\n<div style=\"display: inline-block; margin: 0 0 22px; padding: 8px 13px; background: #faf8fd; border: 1px solid #e2d9ec; border-radius: 999px; color: #4d239e; font-size: 14px; font-weight: 800; text-align: left;\">Autores menos repetidos<\/div>\n<h3 id=\"131-un-diamante-al-rojo-vivo-the-hot-rock-1970-donald-e-westlake\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">131. <em>Un diamante al rojo vivo<\/em> (<em>The Hot Rock<\/em>, 1970), Donald E. Westlake<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un grupo de ladrones intenta robar la misma piedra una y otra vez porque cada plan desencadena un nuevo problema.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Crimen y comedia ejecutados con precisi\u00f3n.<\/p>\n<h3 id=\"132-caminando-entre-tumbas-a-walk-among-the-tombstones-1992-lawrence-block\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">132. <em>Caminando entre tumbas<\/em> (<em>A Walk Among the Tombstones<\/em>, 1992), Lawrence Block<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Matthew Scudder investiga el secuestro y asesinato de la esposa de un narcotraficante.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una novela muy oscura dentro de una de las grandes series detectivescas estadounidenses.<\/p>\n<h3 id=\"133-por-amor-a-imabelle-a-rage-in-harlem-1957-chester-himes\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">133. <em>Por amor a Imabelle<\/em> (<em>A Rage in Harlem<\/em>, 1957), Chester Himes<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Harlem, violencia, fraude y humor negro.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Primera novela de la serie protagonizada por Ata\u00fad Ed Johnson y Sepulturero Jones.<\/p>\n<h3 id=\"134-el-escalofrio-the-chill-1964-ross-macdonald\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">134. <em>El escalofr\u00edo<\/em> (<em>The Chill<\/em>, 1964), Ross Macdonald<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Lew Archer investiga un caso en el que secretos familiares y pasado resultan inseparables.<\/p>\n<h3 id=\"135-adios-en-azul-the-deep-blue-good-by-1964-john-d-macdonald\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">135. <em>Adi\u00f3s en azul<\/em> (<em>The Deep Blue Good-by<\/em>, 1964), John D. MacDonald<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Primera novela protagonizada por Travis McGee.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un investigador poco convencional que recupera aquello que otros han perdido.<\/p>\n<h3 id=\"136-no-hay-orquideas-para-miss-blandish-no-orchids-for-miss-blandish-1939-james-hadley-chase\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">136. <em>No hay orqu\u00eddeas para Miss Blandish<\/em> (<em>No Orchids for Miss Blandish<\/em>, 1939), James Hadley Chase<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Secuestro, crimen organizado y una violencia que caus\u00f3 enorme pol\u00e9mica en su momento.<\/p>\n<h3 id=\"137-necropolis-city-of-the-dead-1976-herbert-lieberman\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">137. <em>Necr\u00f3polis<\/em> (<em>City of the Dead<\/em>, 1976), Herbert Lieberman<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un m\u00e9dico forense de Nueva York queda implicado en una investigaci\u00f3n especialmente oscura.<\/p>\n<h3 id=\"138-solo-el-silencio-a-quiet-belief-in-angels-2007-r-j-ellory\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">138. <em>Solo el silencio<\/em> (<em>A Quiet Belief in Angels<\/em>, 2007), R. J. Ellory<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una serie de asesinatos acompa\u00f1a durante a\u00f1os la vida de un joven y transforma memoria y crimen en una misma historia.<\/p>\n<h3 id=\"139-la-verdad-sobre-el-caso-harry-quebert-2012-joel-dicker\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">139. <em>La verdad sobre el caso Harry Quebert<\/em> (2012), Jo\u00ebl Dicker<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un escritor intenta demostrar la inocencia de su mentor, acusado por la aparici\u00f3n del cad\u00e1ver de una joven desaparecida d\u00e9cadas antes.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Novela dentro de la novela, investigaci\u00f3n y reflexi\u00f3n sobre la propia escritura.<\/p>\n<h3 id=\"140-naturaleza-muerta-still-life-2005-louise-penny\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">140. <em>Naturaleza muerta<\/em> (<em>Still Life<\/em>, 2005), Louise Penny<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Primera investigaci\u00f3n del inspector Armand Gamache en Three Pines.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Perfecta para lectores que prefieren comunidad, personajes y deducci\u00f3n a violencia constante.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"15-diez-thrillers-del-siglo-xxi-que-ya-han-dejado-huella\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">15. Diez thrillers del siglo XXI que ya han dejado huella<\/h2>\n<div style=\"display: inline-block; margin: 0 0 22px; padding: 8px 13px; background: #faf8fd; border: 1px solid #e2d9ec; border-radius: 999px; color: #4d239e; font-size: 14px; font-weight: 800; text-align: left;\">Thriller del siglo XXI<\/div>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Estas novelas son demasiado recientes para saber qu\u00e9 lugar ocupar\u00e1n dentro de cincuenta a\u00f1os.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Pero han tenido suficiente repercusi\u00f3n o inter\u00e9s formal para formar parte del mapa contempor\u00e1neo.<\/p>\n<h3 id=\"141-la-chica-del-tren-the-girl-on-the-train-2015-paula-hawkins\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">141. <em>La chica del tren<\/em> (<em>The Girl on the Train<\/em>, 2015), Paula Hawkins<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Rachel observa todos los d\u00edas desde el tren a una pareja a la que cree conocer.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una desaparici\u00f3n transforma esas observaciones en parte de una investigaci\u00f3n.<\/p>\n<h3 id=\"142-no-confies-en-nadie-before-i-go-to-sleep-2011-s-j-watson\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">142. <em>No conf\u00edes en nadie<\/em> (<em>Before I Go to Sleep<\/em>, 2011), S. J. Watson<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Christine pierde sus recuerdos recientes mientras duerme.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Cada ma\u00f1ana necesita reconstruir qui\u00e9n es y decidir en qui\u00e9n puede confiar.<\/p>\n<h3 id=\"143-el-paciente-silencioso-the-silent-patient-2019-alex-michaelides\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">143. <em>El paciente silencioso<\/em> (<em>The Silent Patient<\/em>, 2019), Alex Michaelides<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una pintora mata a su marido y despu\u00e9s deja de hablar.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un psicoterapeuta se obsesiona con descubrir el motivo.<\/p>\n<h3 id=\"144-una-muerte-merecida-the-kind-worth-killing-2015-peter-swanson\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">144. <em>Una muerte merecida<\/em> (<em>The Kind Worth Killing<\/em>, 2015), Peter Swanson<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Dos desconocidos hablan durante un viaje sobre la posibilidad de asesinar.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La conversaci\u00f3n empieza a adquirir consecuencias reales.<\/p>\n<h3 id=\"145-las-siete-muertes-de-evelyn-hardcastle-the-seven-deaths-of-evelyn-hardcastle-2018-stuart-turton\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">145. <em>Las siete muertes de Evelyn Hardcastle<\/em> (<em>The Seven Deaths of Evelyn Hardcastle<\/em>, 2018), Stuart Turton<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un asesinato, una mansi\u00f3n y una repetici\u00f3n temporal donde el protagonista despierta cada vez dentro de una persona diferente.<\/p>\n<h3 id=\"146-todos-en-mi-familia-han-matado-a-alguien-everyone-in-my-family-has-killed-someone-2022-benjamin-stevenson\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">146. <em>Todos en mi familia han matado a alguien<\/em> (<em>Everyone in My Family Has Killed Someone<\/em>, 2022), Benjamin Stevenson<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una reuni\u00f3n familiar, una tormenta y un narrador que conoce perfectamente las reglas del misterio cl\u00e1sico.<\/p>\n<h3 id=\"147-lagrimas-como-navajas-razorblade-tears-2021-s-a-cosby\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">147. <em>L\u00e1grimas como navajas<\/em> (<em>Razorblade Tears<\/em>, 2021), S. A. Cosby<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Dos padres buscan a quienes asesinaron a sus hijos.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Violencia, prejuicio, paternidad y redenci\u00f3n.<\/p>\n<h3 id=\"148-bluebird-bluebird-2017-attica-locke\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">148. <em>Bluebird, Bluebird<\/em> (2017), Attica Locke<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un ranger negro investiga asesinatos en Texas.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Raza, territorio y pertenencia son inseparables de la investigaci\u00f3n.<\/p>\n<h3 id=\"149-el-dios-de-los-bosques-the-god-of-the-woods-2024-liz-moore\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">149. <em>El dios de los bosques<\/em> (<em>The God of the Woods<\/em>, 2024), Liz Moore<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una adolescente desaparece de un campamento de verano.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El caso conecta con otra desaparici\u00f3n que marc\u00f3 a la misma familia a\u00f1os antes.<\/p>\n<h3 id=\"150-sobre-los-huesos-de-los-muertos-prowadz-swoj-pug-przez-kosci-umarych-2009-olga-tokarczuk\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">150. <em>Sobre los huesos de los muertos<\/em> (<em>Prowad\u017a sw\u00f3j p\u0142ug przez ko\u015bci umar\u0142ych<\/em>, 2009), Olga Tokarczuk<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Varias muertes afectan a cazadores de una zona rural de Polonia.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Tokarczuk utiliza las formas del misterio para hablar de naturaleza, moralidad, aislamiento y sociedad.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"por-que-no-aparecen-algunos-autores-o-novelas-muy-famosos\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">\u00bfPor qu\u00e9 no aparecen algunos autores o novelas muy famosos?<\/h2>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Porque incluso <strong>150 t\u00edtulos obligan a elegir<\/strong>.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Podr\u00edamos a\u00f1adir f\u00e1cilmente:<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">M\u00e1s Agatha Christie.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">M\u00e1s Simenon.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">M\u00e1s Chandler.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">M\u00e1s Mankell.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">M\u00e1s Donna Leon.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">M\u00e1s Fred Vargas.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">M\u00e1s Pierre Lemaitre.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">M\u00e1s James Ellroy.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">M\u00e1s Keigo Higashino.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">M\u00e1s Patricia Highsmith.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">M\u00e1s Louise Penny.<\/li>\n<\/ul>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Tambi\u00e9n podr\u00edan entrar autores y autoras como:<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Harlan Coben.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Donato Carrisi.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Camilla L\u00e4ckberg.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Franck Thilliez.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Michel Bussi.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Karine Giebel.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">John Connolly.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Philip Kerr.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Didier Daeninckx.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Tonino Benacquista.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Barbara Abel.<\/li>\n<\/ul>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El problema de incluir demasiadas novelas del mismo escritor es que la lista pierde una de sus funciones:<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\"><strong>ayudarte a descubrir el g\u00e9nero.<\/strong><\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Hemos preferido amplitud antes que repetici\u00f3n.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"que-novela-policiaca-leer-segun-tus-gustos\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Qu\u00e9 novela policiaca leer seg\u00fan tus gustos<\/h2>\n<h3 id=\"si-quieres-un-enigma-puro\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Si quieres un enigma puro<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Empieza por:<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>El asesinato de Roger Ackroyd<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>El hombre hueco<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>El caso de los bombones envenenados<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>La devoci\u00f3n del sospechoso X<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Los cr\u00edmenes del zodiaco de Tokio<\/em>.<\/li>\n<\/ul>\n<h3 id=\"si-prefieres-personajes-oscuros\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Si prefieres personajes oscuros<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Prueba:<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>El talento de Mr. Ripley<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>El asesino dentro de m\u00ed<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Perdida<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Vestido de novia<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Heridas abiertas<\/em>.<\/li>\n<\/ul>\n<h3 id=\"si-buscas-novela-negra-y-critica-social\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Si buscas novela negra y cr\u00edtica social<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Lee:<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Cosecha roja<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Los mares del sur<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Total Kh\u00e9ops<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>El d\u00eda de la lechuza<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>D\u00edas de combate<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Luna caliente<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Bluebird, Bluebird<\/em>.<\/li>\n<\/ul>\n<h3 id=\"si-quieres-mucho-ritmo\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Si quieres mucho ritmo<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Prueba:<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Chacal<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>El caso Hartung<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>El poeta<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>El poder del perro<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Trece horas<\/em>.<\/li>\n<\/ul>\n<h3 id=\"si-quieres-empezar-por-la-novela-negra-espanola\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Si quieres empezar por la novela negra espa\u00f1ola<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un posible recorrido ser\u00eda:<\/p>\n<ol style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>La gota de sangre<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Las hermanas coloradas<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Los mares del sur<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Ritos de muerte<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>El alquimista impaciente<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>La playa de los ahogados<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>El guardi\u00e1n invisible<\/em>.<\/li>\n<\/ol>\n<h3 id=\"si-quieres-salir-del-canon-anglosajon\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Si quieres salir del canon anglosaj\u00f3n<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Prueba:<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Total Kh\u00e9ops<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>El d\u00eda de la lechuza<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>D\u00edas de combate<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>La devoci\u00f3n del sospechoso X<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>La mujer de verde<\/em>.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\"><em>Sobre los huesos de los muertos<\/em>.<\/li>\n<\/ul>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"autoras-imprescindibles-de-la-novela-policiaca-y-negra\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Autoras imprescindibles de la novela policiaca y negra<\/h2>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Contar la historia del g\u00e9nero \u00fanicamente mediante una sucesi\u00f3n de detectives y escritores masculinos ofrece una imagen incompleta.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Entre las autoras fundamentales o especialmente relevantes de esta lista encontramos:<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Agatha Christie.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Dorothy L. Sayers.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Josephine Tey.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Daphne du Maurier.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Dorothy B. Hughes.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Margaret Millar.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Patricia Highsmith.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Ruth Rendell.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">P. D. James.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Patricia Cornwell.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Val McDermid.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Denise Mina.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Tana French.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Ann Cleeves.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Gillian Flynn.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">\u00c5Sa Larsson.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Natsuo Kirino.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Kanae Minato.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Masako Togawa.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Louise Penny.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Claudia Pi\u00f1eiro.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Alicia Gim\u00e9nez Bartlett.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Dolores Redondo.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Berna Gonz\u00e1lez Harbour.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Marta Sanz.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Susana Rodr\u00edguez Lezaun.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Jane Harper.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Olga Tokarczuk.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Attica Locke.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Liz Moore.<\/li>\n<\/ul>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">No aparecen para equilibrar artificialmente una estad\u00edstica.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Aparecen porque es imposible explicar la evoluci\u00f3n del misterio, el noir y el thriller psicol\u00f3gico sin ellas.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"que-puede-aprender-un-escritor-leyendo-novela-policiaca\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal; background: #edf7ff; border-left: 7px solid #1683c6; border-radius: 12px; padding: 17px 20px; margin-bottom: 22px;\">Qu\u00e9 puede aprender un escritor leyendo novela policiaca<\/h2>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Si est\u00e1s escribiendo tu propio thriller o novela de misterio, no leas estos 150 libros \u00fanicamente para descubrir qui\u00e9n es el culpable.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">L\u00e9elos t\u00e9cnicamente.<\/p>\n<h3 id=\"observa-como-administran-la-informacion\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Observa c\u00f3mo administran la informaci\u00f3n<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Pregunta:<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">\u00bfQu\u00e9 sabe el detective?<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">\u00bfQu\u00e9 sabe el culpable?<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">\u00bfQu\u00e9 sabe el lector?<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">\u00bfCu\u00e1ndo cambian esas diferencias?<\/li>\n<\/ul>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La novela policiaca es, en gran medida, <strong>arquitectura de informaci\u00f3n<\/strong>. Si est\u00e1s construyendo tu propia historia, tambi\u00e9n te ayudar\u00e1 trabajar conscientemente los <a style=\"color: #5a338f; font-weight: bold; text-decoration: underline; text-underline-offset: 3px;\" href=\"https:\/\/www.coollibri.es\/blog\/ejemplos-de-tipos-de-conflicto-narrativo\/\">tipos de conflicto narrativo<\/a>.<\/p>\n<h3 id=\"estudia-como-plantan-las-pistas\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Estudia c\u00f3mo plantan las pistas<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una buena pista suele cumplir dos condiciones aparentemente contradictorias:<\/p>\n<ol style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Debe poder pasar desapercibida.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Despu\u00e9s de conocer la soluci\u00f3n, debe parecer visible.<\/li>\n<\/ol>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Ah\u00ed est\u00e1 buena parte de la dificultad. La pista tiene que ser visible sin convertirse en una explicaci\u00f3n. Esa dosificaci\u00f3n est\u00e1 muy relacionada con el <a style=\"color: #5a338f; font-weight: bold; text-decoration: underline; text-underline-offset: 3px;\" href=\"https:\/\/www.coollibri.es\/blog\/como-mejorar-el-ritmo-narrativo-y-evitar-que-tu-historia-se-estanque\/\">ritmo narrativo y la gesti\u00f3n de la tensi\u00f3n<\/a>.<\/p>\n<h3 id=\"analiza-los-falsos-sospechosos\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Analiza los falsos sospechosos<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">No basta con presentar cinco personas que podr\u00edan haber cometido el crimen.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un sospechoso convincente necesita una l\u00f3gica propia. Si quieres profundizar en esa construcci\u00f3n, consulta c\u00f3mo <a style=\"color: #5a338f; font-weight: bold; text-decoration: underline; text-underline-offset: 3px;\" href=\"https:\/\/www.coollibri.es\/blog\/como-crear-personajes-complejos\/\">crear personajes complejos que evolucionen y atrapen al lector<\/a>.<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Motivo.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Oportunidad.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Secretos.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Contradicciones.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Comportamiento propio.<\/li>\n<\/ul>\n<h3 id=\"mira-como-utilizan-el-espacio\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Mira c\u00f3mo utilizan el espacio<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Los \u00c1ngeles en Chandler.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Barcelona en V\u00e1zquez Montalb\u00e1n.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Marsella en Izzo.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Galicia en Domingo Villar.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Islandia en Indri\u00f0ason.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Harlem en Chester Himes.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La Habana en la tradici\u00f3n latinoamericana.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">El lugar no es \u00fanicamente decoraci\u00f3n.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Puede determinar:<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Relaciones.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Violencia.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Desigualdad.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Movilidad.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Posibilidades del crimen.<\/li>\n<\/ul>\n<h3 id=\"observa-como-crean-tension-sin-matar-constantemente\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Observa c\u00f3mo crean tensi\u00f3n sin matar constantemente<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La tensi\u00f3n tambi\u00e9n puede nacer de:<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Una contradicci\u00f3n.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Una mentira.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Un silencio.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Un plazo.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Una ausencia.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Una informaci\u00f3n incompleta.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Una decisi\u00f3n pendiente.<\/li>\n<\/ul>\n<h3 id=\"estudia-los-giros\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Estudia los giros<\/h3>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un buen giro deber\u00eda producir dos experiencias.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Primero:<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\"><strong>\u00abNo me lo esperaba\u00bb.<\/strong><\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Despu\u00e9s:<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\"><strong>\u00abAhora entiendo por qu\u00e9 estaba ah\u00ed\u00bb.<\/strong><\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Si la segunda reacci\u00f3n nunca llega, quiz\u00e1 no era un giro.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Era una trampa. Durante la revisi\u00f3n conviene comprobar precisamente que cada revelaci\u00f3n est\u00e9 preparada por el texto. Para ello puedes utilizar la <a style=\"color: #5a338f; font-weight: bold; text-decoration: underline; text-underline-offset: 3px;\" href=\"https:\/\/www.coollibri.es\/blog\/revision-y-edicion-de-tu-manuscrito-la-guia-definitiva\/\">gu\u00eda de revisi\u00f3n y edici\u00f3n del manuscrito<\/a>.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"15-preguntas-para-analizar-una-novela-policiaca-como-escritor\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">15 preguntas para analizar una novela policiaca como escritor<\/h2>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Cuando termines uno de estos libros, responde:<\/p>\n<ol style=\"list-style-position: inside; margin: 16px 0 28px; padding: 0; padding-left: 27px; text-align: left;\">\n<li style=\"margin: 7px 0; padding: 11px 14px; background: #ffffff; border: 1px solid #e7e1ee; border-radius: 9px; font-size: 18px; line-height: 1.62; color: #24212b; text-align: left;\">\u00bfCu\u00e1l es la primera pregunta narrativa?<\/li>\n<li style=\"margin: 7px 0; padding: 11px 14px; background: #ffffff; border: 1px solid #e7e1ee; border-radius: 9px; font-size: 18px; line-height: 1.62; color: #24212b; text-align: left;\">\u00bfCu\u00e1ndo aparece el crimen?<\/li>\n<li style=\"margin: 7px 0; padding: 11px 14px; background: #ffffff; border: 1px solid #e7e1ee; border-radius: 9px; font-size: 18px; line-height: 1.62; color: #24212b; text-align: left;\">\u00bfQu\u00e9 sabe el lector al principio?<\/li>\n<li style=\"margin: 7px 0; padding: 11px 14px; background: #ffffff; border: 1px solid #e7e1ee; border-radius: 9px; font-size: 18px; line-height: 1.62; color: #24212b; text-align: left;\">\u00bfQu\u00e9 informaci\u00f3n se retrasa?<\/li>\n<li style=\"margin: 7px 0; padding: 11px 14px; background: #ffffff; border: 1px solid #e7e1ee; border-radius: 9px; font-size: 18px; line-height: 1.62; color: #24212b; text-align: left;\">\u00bfQui\u00e9n controla el punto de vista?<\/li>\n<li style=\"margin: 7px 0; padding: 11px 14px; background: #ffffff; border: 1px solid #e7e1ee; border-radius: 9px; font-size: 18px; line-height: 1.62; color: #24212b; text-align: left;\">\u00bfCu\u00e1l fue mi primer sospechoso?<\/li>\n<li style=\"margin: 7px 0; padding: 11px 14px; background: #ffffff; border: 1px solid #e7e1ee; border-radius: 9px; font-size: 18px; line-height: 1.62; color: #24212b; text-align: left;\">\u00bfPor qu\u00e9 sospech\u00e9 de esa persona?<\/li>\n<li style=\"margin: 7px 0; padding: 11px 14px; background: #ffffff; border: 1px solid #e7e1ee; border-radius: 9px; font-size: 18px; line-height: 1.62; color: #24212b; text-align: left;\">\u00bfQu\u00e9 pistas importantes no detect\u00e9?<\/li>\n<li style=\"margin: 7px 0; padding: 11px 14px; background: #ffffff; border: 1px solid #e7e1ee; border-radius: 9px; font-size: 18px; line-height: 1.62; color: #24212b; text-align: left;\">\u00bfQu\u00e9 pistas eran falsas?<\/li>\n<li style=\"margin: 7px 0; padding: 11px 14px; background: #ffffff; border: 1px solid #e7e1ee; border-radius: 9px; font-size: 18px; line-height: 1.62; color: #24212b; text-align: left;\">\u00bfC\u00f3mo evoluciona la tensi\u00f3n?<\/li>\n<li style=\"margin: 7px 0; padding: 11px 14px; background: #ffffff; border: 1px solid #e7e1ee; border-radius: 9px; font-size: 18px; line-height: 1.62; color: #24212b; text-align: left;\">\u00bfQu\u00e9 funci\u00f3n cumple el escenario?<\/li>\n<li style=\"margin: 7px 0; padding: 11px 14px; background: #ffffff; border: 1px solid #e7e1ee; border-radius: 9px; font-size: 18px; line-height: 1.62; color: #24212b; text-align: left;\">\u00bfLa soluci\u00f3n cambia mi interpretaci\u00f3n de escenas anteriores?<\/li>\n<li style=\"margin: 7px 0; padding: 11px 14px; background: #ffffff; border: 1px solid #e7e1ee; border-radius: 9px; font-size: 18px; line-height: 1.62; color: #24212b; text-align: left;\">\u00bfEl investigador tiene un conflicto propio?<\/li>\n<li style=\"margin: 7px 0; padding: 11px 14px; background: #ffffff; border: 1px solid #e7e1ee; border-radius: 9px; font-size: 18px; line-height: 1.62; color: #24212b; text-align: left;\">\u00bfEl crimen permite hablar de otro tema?<\/li>\n<li style=\"margin: 7px 0; padding: 11px 14px; background: #ffffff; border: 1px solid #e7e1ee; border-radius: 9px; font-size: 18px; line-height: 1.62; color: #24212b; text-align: left;\">\u00bfFuncionar\u00eda esta novela si elimin\u00e1semos su misterio?<\/li>\n<\/ol>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">La \u00faltima pregunta es especialmente interesante.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Hay novelas cuyo enigma es excelente.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Y hay novelas que utilizan un enigma para construir algo todav\u00eda mayor.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"como-empezar-a-leer-novela-negra-si-nunca-has-leido-el-genero\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal; background: #fff7db; border-left: 7px solid #e1b800; border-radius: 12px; padding: 17px 20px; margin-bottom: 22px;\">C\u00f3mo empezar a leer novela negra si nunca has le\u00eddo el g\u00e9nero<\/h2>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">No empieces intentando completar los 150.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Elige un camino.<\/p>\n<h3 id=\"ruta-clasica\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Ruta cl\u00e1sica<\/h3>\n<ol style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Agatha Christie.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Dashiell Hammett.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Raymond Chandler.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Patricia Highsmith.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">P. D. James.<\/li>\n<\/ol>\n<h3 id=\"ruta-espanola\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Ruta espa\u00f1ola<\/h3>\n<ol style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Emilia Pardo Baz\u00e1n.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Garc\u00eda Pav\u00f3n.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">V\u00e1zquez Montalb\u00e1n.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Alicia Gim\u00e9nez Bartlett.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Domingo Villar.<\/li>\n<\/ol>\n<h3 id=\"ruta-internacional\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Ruta internacional<\/h3>\n<ol style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Simenon.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Izzo.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Mankell.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Padura o Taibo II.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Higashino.<\/li>\n<\/ol>\n<h3 id=\"ruta-thriller-psicologico\" style=\"margin: 34px 0 13px; font-size: 23px; line-height: 1.34; font-weight: 800; color: #4d239e; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Ruta thriller psicol\u00f3gico<\/h3>\n<ol style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Highsmith.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Rendell.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Lehane.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Flynn.<\/li>\n<li style=\"font-size: 18px; line-height: 1.62; margin: 7px 0; text-align: left; color: #24212b;\">Hawkins.<\/li>\n<\/ol>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Despu\u00e9s abandona la ruta. El objetivo no es copiar una f\u00f3rmula, sino ampliar tu repertorio de soluciones narrativas.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Descubre algo distinto.<\/p>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"preguntas-frecuentes-sobre-las-mejores-novelas-policiacas\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Preguntas frecuentes sobre las mejores novelas policiacas<\/h2>\n<details style=\"margin: 11px 0; background: #ffffff; border: 1px solid #ddd5eb; border-radius: 13px; overflow: hidden;\">\n<summary style=\"cursor: pointer; padding: 16px 19px; color: #4d239e; font-size: 19px; line-height: 1.45; font-weight: 800; text-align: left; font-family: inherit;\">\u00bfCu\u00e1l es la mejor novela policiaca de todos los tiempos?<\/summary>\n<div style=\"padding: 0 19px 16px; text-align: left;\">\n<p style=\"font-size: 18px; line-height: 1.65; margin: 0; text-align: justify; color: #24212b;\">No existe una respuesta universal. El asesinato de Roger Ackroyd, La hija del tiempo, El halc\u00f3n malt\u00e9s, El largo adi\u00f3s y Y no qued\u00f3 ninguno aparecen con frecuencia en grandes selecciones hist\u00f3ricas, pero la respuesta cambia seg\u00fan se valore misterio cl\u00e1sico, noir, thriller o investigaci\u00f3n policial.<\/p>\n<\/div>\n<\/details>\n<details style=\"margin: 11px 0; background: #ffffff; border: 1px solid #ddd5eb; border-radius: 13px; overflow: hidden;\">\n<summary style=\"cursor: pointer; padding: 16px 19px; color: #4d239e; font-size: 19px; line-height: 1.45; font-weight: 800; text-align: left; font-family: inherit;\">\u00bfCu\u00e1l es la mejor novela de Agatha Christie?<\/summary>\n<div style=\"padding: 0 19px 16px; text-align: left;\">\n<p style=\"font-size: 18px; line-height: 1.65; margin: 0; text-align: justify; color: #24212b;\">El asesinato de Roger Ackroyd y Y no qued\u00f3 ninguno suelen figurar entre sus obras m\u00e1s admiradas. Asesinato en el Orient Express es tambi\u00e9n una excelente puerta de entrada.<\/p>\n<\/div>\n<\/details>\n<details style=\"margin: 11px 0; background: #ffffff; border: 1px solid #ddd5eb; border-radius: 13px; overflow: hidden;\">\n<summary style=\"cursor: pointer; padding: 16px 19px; color: #4d239e; font-size: 19px; line-height: 1.45; font-weight: 800; text-align: left; font-family: inherit;\">\u00bfQu\u00e9 novela negra espa\u00f1ola deber\u00eda leer primero?<\/summary>\n<div style=\"padding: 0 19px 16px; text-align: left;\">\n<p style=\"font-size: 18px; line-height: 1.65; margin: 0; text-align: justify; color: #24212b;\">Los mares del sur, de Manuel V\u00e1zquez Montalb\u00e1n, es una referencia fundamental. Si prefieres una novela m\u00e1s reciente puedes comenzar con La playa de los ahogados, de Domingo Villar, o El guardi\u00e1n invisible, de Dolores Redondo.<\/p>\n<\/div>\n<\/details>\n<details style=\"margin: 11px 0; background: #ffffff; border: 1px solid #ddd5eb; border-radius: 13px; overflow: hidden;\">\n<summary style=\"cursor: pointer; padding: 16px 19px; color: #4d239e; font-size: 19px; line-height: 1.45; font-weight: 800; text-align: left; font-family: inherit;\">\u00bfQu\u00e9 diferencia hay entre novela negra y novela policiaca?<\/summary>\n<div style=\"padding: 0 19px 16px; text-align: left;\">\n<p style=\"font-size: 18px; line-height: 1.65; margin: 0; text-align: justify; color: #24212b;\">La novela policiaca suele organizarse alrededor de la resoluci\u00f3n de un crimen o misterio. La novela negra utiliza con frecuencia ese crimen para explorar corrupci\u00f3n, desigualdad, violencia o conflictos sociales. Las fronteras entre ambos g\u00e9neros no son r\u00edgidas.<\/p>\n<\/div>\n<\/details>\n<details style=\"margin: 11px 0; background: #ffffff; border: 1px solid #ddd5eb; border-radius: 13px; overflow: hidden;\">\n<summary style=\"cursor: pointer; padding: 16px 19px; color: #4d239e; font-size: 19px; line-height: 1.45; font-weight: 800; text-align: left; font-family: inherit;\">\u00bfQu\u00e9 thriller psicol\u00f3gico deber\u00eda leer?<\/summary>\n<div style=\"padding: 0 19px 16px; text-align: left;\">\n<p style=\"font-size: 18px; line-height: 1.65; margin: 0; text-align: justify; color: #24212b;\">Puedes empezar por El talento de Mr. Ripley, Shutter Island, Perdida, Heridas abiertas o No conf\u00edes en nadie.<\/p>\n<\/div>\n<\/details>\n<details style=\"margin: 11px 0; background: #ffffff; border: 1px solid #ddd5eb; border-radius: 13px; overflow: hidden;\">\n<summary style=\"cursor: pointer; padding: 16px 19px; color: #4d239e; font-size: 19px; line-height: 1.45; font-weight: 800; text-align: left; font-family: inherit;\">\u00bfQu\u00e9 novela policiaca japonesa leer primero?<\/summary>\n<div style=\"padding: 0 19px 16px; text-align: left;\">\n<p style=\"font-size: 18px; line-height: 1.65; margin: 0; text-align: justify; color: #24212b;\">La devoci\u00f3n del sospechoso X, de Keigo Higashino, es una excelente puerta de entrada. Si prefieres el misterio deductivo cl\u00e1sico, prueba El expreso de Tokio o Los cr\u00edmenes del zodiaco de Tokio.<\/p>\n<\/div>\n<\/details>\n<details style=\"margin: 11px 0; background: #ffffff; border: 1px solid #ddd5eb; border-radius: 13px; overflow: hidden;\">\n<summary style=\"cursor: pointer; padding: 16px 19px; color: #4d239e; font-size: 19px; line-height: 1.45; font-weight: 800; text-align: left; font-family: inherit;\">\u00bfQu\u00e9 autores de novela negra latinoamericana son imprescindibles?<\/summary>\n<div style=\"padding: 0 19px 16px; text-align: left;\">\n<p style=\"font-size: 18px; line-height: 1.65; margin: 0; text-align: justify; color: #24212b;\">Paco Ignacio Taibo II, Leonardo Padura, Rubem Fonseca, Mempo Giardinelli, Claudia Pi\u00f1eiro y \u00c9lmer Mendoza son puntos de partida especialmente interesantes.<\/p>\n<\/div>\n<\/details>\n<details style=\"margin: 11px 0; background: #ffffff; border: 1px solid #ddd5eb; border-radius: 13px; overflow: hidden;\">\n<summary style=\"cursor: pointer; padding: 16px 19px; color: #4d239e; font-size: 19px; line-height: 1.45; font-weight: 800; text-align: left; font-family: inherit;\">\u00bfCu\u00e1l es el mejor Nordic noir?<\/summary>\n<div style=\"padding: 0 19px 16px; text-align: left;\">\n<p style=\"font-size: 18px; line-height: 1.65; margin: 0; text-align: justify; color: #24212b;\">Henning Mankell es esencial para comprender su expansi\u00f3n internacional. Despu\u00e9s puedes continuar con Stieg Larsson, Arnaldur Indri\u00f0ason, Jo Nesb\u00f8, Jussi Adler-Olsen o \u00c5sa Larsson.<\/p>\n<\/div>\n<\/details>\n<details style=\"margin: 11px 0; background: #ffffff; border: 1px solid #ddd5eb; border-radius: 13px; overflow: hidden;\">\n<summary style=\"cursor: pointer; padding: 16px 19px; color: #4d239e; font-size: 19px; line-height: 1.45; font-weight: 800; text-align: left; font-family: inherit;\">\u00bfHay que leer las sagas policiacas en orden?<\/summary>\n<div style=\"padding: 0 19px 16px; text-align: left;\">\n<p style=\"font-size: 18px; line-height: 1.65; margin: 0; text-align: justify; color: #24212b;\">No siempre. Muchas investigaciones son independientes, pero leer las series cronol\u00f3gicamente permite seguir mejor la evoluci\u00f3n personal de personajes como Wallander, Brunetti, Gamache, Petra Delicado, Bevilacqua y Chamorro o Harry Hole.<\/p>\n<\/div>\n<\/details>\n<details style=\"margin: 11px 0; background: #ffffff; border: 1px solid #ddd5eb; border-radius: 13px; overflow: hidden;\">\n<summary style=\"cursor: pointer; padding: 16px 19px; color: #4d239e; font-size: 19px; line-height: 1.45; font-weight: 800; text-align: left; font-family: inherit;\">\u00bfC\u00f3mo escribir una novela policiaca?<\/summary>\n<div style=\"padding: 0 19px 16px; text-align: left;\">\n<p style=\"font-size: 18px; line-height: 1.65; margin: 0; text-align: justify; color: #24212b;\">Empieza por definir el crimen, sus consecuencias y qu\u00e9 informaci\u00f3n posee cada personaje. Despu\u00e9s decide qu\u00e9 sabr\u00e1 el lector en cada momento y qu\u00e9 pistas permitir\u00e1n reconstruir la verdad sin revelar demasiado pronto la soluci\u00f3n.<\/p>\n<\/div>\n<\/details>\n<details style=\"margin: 11px 0; background: #ffffff; border: 1px solid #ddd5eb; border-radius: 13px; overflow: hidden;\">\n<summary style=\"cursor: pointer; padding: 16px 19px; color: #4d239e; font-size: 19px; line-height: 1.45; font-weight: 800; text-align: left; font-family: inherit;\">\u00bfCu\u00e1ntos sospechosos deber\u00eda tener una novela policiaca?<\/summary>\n<div style=\"padding: 0 19px 16px; text-align: left;\">\n<p style=\"font-size: 18px; line-height: 1.65; margin: 0; text-align: justify; color: #24212b;\">No existe una cantidad correcta. Es preferible tener cuatro sospechosos bien construidos que doce personajes intercambiables. Cada sospechoso deber\u00eda tener motivaciones, secretos y una relaci\u00f3n clara con el conflicto.<\/p>\n<\/div>\n<\/details>\n<details style=\"margin: 11px 0; background: #ffffff; border: 1px solid #ddd5eb; border-radius: 13px; overflow: hidden;\">\n<summary style=\"cursor: pointer; padding: 16px 19px; color: #4d239e; font-size: 19px; line-height: 1.45; font-weight: 800; text-align: left; font-family: inherit;\">\u00bfQu\u00e9 debe tener un buen thriller?<\/summary>\n<div style=\"padding: 0 19px 16px; text-align: left;\">\n<p style=\"font-size: 18px; line-height: 1.65; margin: 0; text-align: justify; color: #24212b;\">Una amenaza o conflicto reconocible, consecuencias, progresi\u00f3n, gesti\u00f3n cuidadosa de la informaci\u00f3n y personajes cuyas decisiones modifiquen la historia. El ritmo r\u00e1pido por s\u00ed solo no sustituye a la tensi\u00f3n.<\/p>\n<\/div>\n<\/details>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<h2 id=\"glosario-de-novela-policiaca-y-negra\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">Glosario de novela policiaca y negra<\/h2>\n<table style=\"width: 100%; border-collapse: collapse; margin: 22px 0 36px; background: #ffffff; border: 1px solid #ddd5eb;\">\n<tbody>\n<tr>\n<th style=\"padding: 13px 14px; border: 1px solid #ddd5eb; background: #f8fae8; font-size: 17px; font-weight: 800; text-align: left;\">Concepto<\/th>\n<th style=\"padding: 13px 14px; border: 1px solid #ddd5eb; background: #f8fae8; font-size: 17px; font-weight: 800; text-align: left;\">Definici\u00f3n<\/th>\n<\/tr>\n<tr>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; font-weight: 800; text-align: left; vertical-align: top; width: 28%;\">Whodunit<\/td>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Misterio cuya pregunta central es \u00ab\u00bfqui\u00e9n lo hizo?\u00bb.<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; font-weight: 800; text-align: left; vertical-align: top; width: 28%;\">Hard-boiled<\/td>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Tradici\u00f3n estadounidense caracterizada por detectives privados, violencia urbana, cinismo y corrupci\u00f3n.<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; font-weight: 800; text-align: left; vertical-align: top; width: 28%;\">Noir<\/td>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Narrativa criminal donde las circunstancias sociales, morales y personales suelen importar tanto o m\u00e1s que resolver el crimen.<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; font-weight: 800; text-align: left; vertical-align: top; width: 28%;\">Procedimental<\/td>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Novela centrada en m\u00e9todos profesionales de investigaci\u00f3n policial, forense o judicial.<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; font-weight: 800; text-align: left; vertical-align: top; width: 28%;\">Cozy crime<\/td>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Misterio habitualmente desarrollado dentro de una comunidad relativamente cerrada, con mayor \u00e9nfasis en deducci\u00f3n y personajes y menor explicitud de violencia.<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; font-weight: 800; text-align: left; vertical-align: top; width: 28%;\">Nordic noir<\/td>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Novela criminal procedente principalmente de pa\u00edses n\u00f3rdicos, asociada a ambientes sombr\u00edos, investigaci\u00f3n policial y cr\u00edtica social.<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; font-weight: 800; text-align: left; vertical-align: top; width: 28%;\">Domestic thriller<\/td>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Thriller donde hogar, familia, matrimonio o relaciones \u00edntimas se convierten en el principal territorio de amenaza.<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; font-weight: 800; text-align: left; vertical-align: top; width: 28%;\">Locked-room mystery<\/td>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Misterio donde el crimen parece haber ocurrido en circunstancias f\u00edsicamente imposibles.<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; font-weight: 800; text-align: left; vertical-align: top; width: 28%;\">Red herring<\/td>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Pista o elemento dise\u00f1ado para orientar temporalmente al lector hacia una interpretaci\u00f3n equivocada.<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; font-weight: 800; text-align: left; vertical-align: top; width: 28%;\">Cliffhanger<\/td>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Interrupci\u00f3n en un momento de tensi\u00f3n dise\u00f1ada para impulsar al lector hacia el siguiente cap\u00edtulo.<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; font-weight: 800; text-align: left; vertical-align: top; width: 28%;\">Neopolic\u00edaco<\/td>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">Tradici\u00f3n especialmente importante en Am\u00e9rica Latina que utiliza la investigaci\u00f3n criminal para abordar corrupci\u00f3n, violencia institucional y realidad social.<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; font-weight: 800; text-align: left; vertical-align: top; width: 28%;\">Polar<\/td>\n<td style=\"padding: 13px 14px; border: 1px solid #ddd5eb; font-size: 17px; line-height: 1.5; text-align: left; vertical-align: top;\">T\u00e9rmino franc\u00e9s utilizado para referirse a diferentes formas de novela policiaca y negra.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div style=\"height: 52px; line-height: 52px; font-size: 1px; clear: both;\" aria-hidden=\"true\">\u00a0<\/div>\n<aside style=\"max-width: 900px; margin: 58px auto; padding: 30px 32px; background: #f8fae8; border: 2px solid #C2D200; border-radius: 18px; text-align: center; box-shadow: 0 8px 24px rgba(36,33,43,.06);\">\n<div style=\"font-size: 14px; line-height: 1.4; font-weight: 850; letter-spacing: .05em; text-transform: uppercase; color: #596100; margin: 0 0 8px; text-align: center; font-family: inherit;\">De lector a autor<\/div>\n<div style=\"font-size: 28px; line-height: 1.3; margin: 0 0 12px; font-weight: 800; color: #172026; text-align: center; font-family: inherit;\">\u00bfEst\u00e1s escribiendo tu propia novela policiaca o thriller?<\/div>\n<p style=\"font-size: 18px; line-height: 1.6; margin: 0 auto 17px; color: #24212b; text-align: center;\">Cuando el manuscrito est\u00e9 escrito, revisado y corregido, configura formato, papel, encuadernaci\u00f3n y cantidad para convertirlo en un libro f\u00edsico.<\/p>\n<p><a style=\"display: inline-block; margin: 6px auto 0; padding: 15px 23px; background: #C2D200; color: #172026; border: 2px solid #A6B500; border-radius: 999px; font-weight: 850; text-decoration: none; text-align: center;\" href=\"https:\/\/www.coollibri.es\/imprimir-un-libro\">Calcular el precio de mi libro<\/a><\/p>\n<\/aside>\n<section style=\"margin: 58px 0 24px; text-align: left;\">\n<h2 id=\"fuentes-y-metodologia\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none;\">Fuentes y metodolog\u00eda<\/h2>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 18px; text-align: justify; color: #24212b;\">Esta selecci\u00f3n no pretende establecer un canon definitivo. Parte de referencias hist\u00f3ricas del g\u00e9nero, ampl\u00eda el mapa con tradiciones y autores menos representados y combina cl\u00e1sicos con obras contempor\u00e1neas. Los t\u00edtulos y fechas siguen, como criterio general, la primera publicaci\u00f3n de la obra y el t\u00edtulo espa\u00f1ol m\u00e1s asentado cuando existe.<\/p>\n<ul style=\"margin: 16px 0 28px; padding-left: 27px; text-align: left;\">\n<li style=\"font-size: 17px; line-height: 1.6; margin: 7px 0; text-align: left;\">Mystery Writers of America, <a style=\"color: #4d239e; font-weight: bold; text-decoration: underline;\" href=\"https:\/\/www.penguinrandomhouse.com\/books\/119419\/the-crown-crime-companion-by-mystery-writers-of-america-inc\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Crown Crime Companion: The Top 100 Mystery Novels of All Time<\/a>, Crown, 1995.<\/li>\n<li style=\"font-size: 17px; line-height: 1.6; margin: 7px 0; text-align: left;\">CoolLibri, contenidos complementarios sobre conflicto, ritmo, personajes, revisi\u00f3n y reescritura enlazados en la secci\u00f3n dedicada a escritores.<\/li>\n<\/ul>\n<\/section>\n<h2 id=\"150-novelas-no-son-suficientes-y-eso-es-una-buena-noticia\" style=\"margin: 0 0 18px; font-size: 34px; line-height: 1.22; font-weight: 800; color: #24212b; text-align: left; font-family: inherit; font-style: normal; text-transform: none; font-variant: normal;\">150 novelas no son suficientes, y eso es una buena noticia<\/h2>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Cualquier lista de grandes novelas policiacas termina provocando la misma reacci\u00f3n:<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\"><strong>\u00ab\u00bfC\u00f3mo hab\u00e9is podido olvidar esta?\u00bb<\/strong><\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Y probablemente quien lo diga tendr\u00e1 raz\u00f3n.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Porque el g\u00e9nero es demasiado grande.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Ya no pertenece \u00fanicamente a:<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Sherlock Holmes.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Poirot.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Sam Spade.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Philip Marlowe.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Tambi\u00e9n pertenece a:<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Pepe Carvalho.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Petra Delicado.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Mario Conde.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Wallander.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Brunetti.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Gamache.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Erlendur.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Rebus.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Montalbano.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Kindaichi.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Kay Scarpetta.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Lisbeth Salander.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Y a muchos personajes que todav\u00eda no has descubierto.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Por eso no utilices esta lista como un examen.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">No tienes que leer los 150 libros.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Util\u00edzala como <strong>mapa<\/strong>.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Elige diez.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Descubre qu\u00e9 rama te gusta.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Lee despu\u00e9s algo completamente distinto.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un cl\u00e1sico ingl\u00e9s.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un noir estadounidense.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Una novela espa\u00f1ola.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un misterio japon\u00e9s.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un policial latinoamericano.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Un thriller psicol\u00f3gico escrito hace tres a\u00f1os.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Vuelve despu\u00e9s a un autor que pensabas que conoc\u00edas.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Y si est\u00e1s escribiendo tu propia novela, utiliza todas esas lecturas para algo m\u00e1s que aprender c\u00f3mo esconder a un asesino.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Observa c\u00f3mo se administra una verdad.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">C\u00f3mo se planta una pista.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">C\u00f3mo se construye una sospecha.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">C\u00f3mo una ciudad puede convertirse en personaje.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">C\u00f3mo un silencio modifica una escena.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">C\u00f3mo un autor consigue que mires directamente una informaci\u00f3n esencial sin comprender todav\u00eda lo que significa.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Porque los grandes escritores de novela policiaca no solo saben <strong>esconder la verdad<\/strong>.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Saben colocarla delante de nosotros. Y si est\u00e1s reescribiendo tu propia novela, conviene revisar escenas, pistas y cronolog\u00eda con una metodolog\u00eda espec\u00edfica de <a style=\"color: #5a338f; font-weight: bold; text-decoration: underline; text-underline-offset: 3px;\" href=\"https:\/\/www.coollibri.es\/blog\/estrategias-para-la-reescritura-y-edicion-de-un-manuscrito\/\">reescritura y edici\u00f3n del manuscrito<\/a>.<\/p>\n<p style=\"font-size: 18px; line-height: 1.72; margin: 0 0 20px; text-align: justify; color: #24212b;\">Y conseguir que sigamos pasando p\u00e1ginas hasta que aprendemos a verla.<\/p>\n<\/div>\n<\/article>\n<p><script type=\"application\/ld+json\">{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@graph\": [\n    {\n      \"@type\": \"BlogPosting\",\n      \"headline\": \"Las 150 mejores novelas policiacas de todos los tiempos: cl\u00e1sicos, novela negra y thrillers imprescindibles\",\n      \"description\": \"Descubre 150 novelas policiacas, negras, de misterio y thrillers 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Cosby\"\n            }\n          }\n        },\n        {\n          \"@type\": \"ListItem\",\n          \"position\": 148,\n          \"item\": {\n            \"@type\": \"Book\",\n            \"name\": \"Bluebird, Bluebird (2017)\",\n            \"author\": {\n              \"@type\": \"Person\",\n              \"name\": \"Attica Locke\"\n            }\n          }\n        },\n        {\n          \"@type\": \"ListItem\",\n          \"position\": 149,\n          \"item\": {\n            \"@type\": \"Book\",\n            \"name\": \"El dios de los bosques ( The God of the Woods , 2024)\",\n            \"author\": {\n              \"@type\": \"Person\",\n              \"name\": \"Liz Moore\"\n            }\n          }\n        },\n        {\n          \"@type\": \"ListItem\",\n          \"position\": 150,\n          \"item\": {\n            \"@type\": \"Book\",\n            \"name\": \"Sobre los huesos de los muertos ( Prowad\u017a sw\u00f3j p\u0142ug przez ko\u015bci umar\u0142ych , 2009)\",\n            \"author\": {\n              \"@type\": \"Person\",\n              \"name\": \"Olga Tokarczuk\"\n            }\n          }\n        }\n      ]\n    },\n    {\n      \"@type\": \"HowTo\",\n      \"name\": \"C\u00f3mo analizar una novela policiaca como escritor\",\n      \"description\": \"M\u00e9todo pr\u00e1ctico para estudiar informaci\u00f3n, pistas, sospechosos, tensi\u00f3n, escenario y giros narrativos.\",\n      \"step\": [\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 1,\n          \"name\": \"Identificar la primera pregunta narrativa y cu\u00e1ndo aparece el crimen.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 2,\n          \"name\": \"Separar lo que sabe el investigador, el culpable y el lector.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 3,\n          \"name\": \"Localizar las pistas importantes y las pistas falsas.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 4,\n          \"name\": \"Analizar qu\u00e9 convierte a cada sospechoso en una posibilidad cre\u00edble.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 5,\n          \"name\": \"Observar c\u00f3mo evoluciona la tensi\u00f3n sin depender \u00fanicamente de la violencia.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 6,\n          \"name\": \"Estudiar la funci\u00f3n del escenario dentro del conflicto.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 7,\n          \"name\": \"Comprobar si la soluci\u00f3n modifica escenas anteriores.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 8,\n          \"name\": \"Analizar el conflicto propio del investigador.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 9,\n          \"name\": \"Preguntar qu\u00e9 tema permite explorar el crimen m\u00e1s all\u00e1 del enigma.\"\n        },\n        {\n          \"@type\": \"HowToStep\",\n          \"position\": 10,\n          \"name\": \"Comprobar si la novela seguir\u00eda teniendo inter\u00e9s sin su misterio.\"\n        }\n      ]\n    },\n    {\n      \"@type\": \"FAQPage\",\n      \"mainEntity\": [\n        {\n          \"@type\": \"Question\",\n          \"name\": \"\u00bfCu\u00e1l es la mejor novela policiaca de todos los tiempos?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"No existe una respuesta universal. El asesinato de Roger Ackroyd, La hija del tiempo, El halc\u00f3n malt\u00e9s, El largo adi\u00f3s y Y no qued\u00f3 ninguno aparecen con frecuencia en grandes selecciones hist\u00f3ricas, pero la respuesta cambia seg\u00fan se valore misterio cl\u00e1sico, noir, thriller o investigaci\u00f3n policial.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"\u00bfCu\u00e1l es la mejor novela de Agatha Christie?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"El asesinato de Roger Ackroyd y Y no qued\u00f3 ninguno suelen figurar entre sus obras m\u00e1s admiradas. Asesinato en el Orient Express es tambi\u00e9n una excelente puerta de entrada.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"\u00bfQu\u00e9 novela negra espa\u00f1ola deber\u00eda leer primero?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"Los mares del sur, de Manuel V\u00e1zquez Montalb\u00e1n, es una referencia fundamental. Si prefieres una novela m\u00e1s reciente puedes comenzar con La playa de los ahogados, de Domingo Villar, o El guardi\u00e1n invisible, de Dolores Redondo.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"\u00bfQu\u00e9 diferencia hay entre novela negra y novela policiaca?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"La novela policiaca suele organizarse alrededor de la resoluci\u00f3n de un crimen o misterio. La novela negra utiliza con frecuencia ese crimen para explorar corrupci\u00f3n, desigualdad, violencia o conflictos sociales. Las fronteras entre ambos g\u00e9neros no son r\u00edgidas.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"\u00bfQu\u00e9 thriller psicol\u00f3gico deber\u00eda leer?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"Puedes empezar por El talento de Mr. Ripley, Shutter Island, Perdida, Heridas abiertas o No conf\u00edes en nadie.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"\u00bfQu\u00e9 novela policiaca japonesa leer primero?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"La devoci\u00f3n del sospechoso X, de Keigo Higashino, es una excelente puerta de entrada. Si prefieres el misterio deductivo cl\u00e1sico, prueba El expreso de Tokio o Los cr\u00edmenes del zodiaco de Tokio.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"\u00bfQu\u00e9 autores de novela negra latinoamericana son imprescindibles?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"Paco Ignacio Taibo II, Leonardo Padura, Rubem Fonseca, Mempo Giardinelli, Claudia Pi\u00f1eiro y \u00c9lmer Mendoza son puntos de partida especialmente interesantes.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"\u00bfCu\u00e1l es el mejor Nordic noir?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"Henning Mankell es esencial para comprender su expansi\u00f3n internacional. Despu\u00e9s puedes continuar con Stieg Larsson, Arnaldur Indri\u00f0ason, Jo Nesb\u00f8, Jussi Adler-Olsen o \u00c5sa Larsson.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"\u00bfHay que leer las sagas policiacas en orden?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"No siempre. Muchas investigaciones son independientes, pero leer las series cronol\u00f3gicamente permite seguir mejor la evoluci\u00f3n personal de personajes como Wallander, Brunetti, Gamache, Petra Delicado, Bevilacqua y Chamorro o Harry Hole.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"\u00bfC\u00f3mo escribir una novela policiaca?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"Empieza por definir el crimen, sus consecuencias y qu\u00e9 informaci\u00f3n posee cada personaje. Despu\u00e9s decide qu\u00e9 sabr\u00e1 el lector en cada momento y qu\u00e9 pistas permitir\u00e1n reconstruir la verdad sin revelar demasiado pronto la soluci\u00f3n.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"\u00bfCu\u00e1ntos sospechosos deber\u00eda tener una novela policiaca?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"No existe una cantidad correcta. Es preferible tener cuatro sospechosos bien construidos que doce personajes intercambiables. Cada sospechoso deber\u00eda tener motivaciones, secretos y una relaci\u00f3n clara con el conflicto.\"\n          }\n        },\n        {\n          \"@type\": \"Question\",\n          \"name\": \"\u00bfQu\u00e9 debe tener un buen thriller?\",\n          \"acceptedAnswer\": {\n            \"@type\": \"Answer\",\n            \"text\": \"Una amenaza o conflicto reconocible, consecuencias, progresi\u00f3n, gesti\u00f3n cuidadosa de la informaci\u00f3n y personajes cuyas decisiones modifiquen la historia. El ritmo r\u00e1pido por s\u00ed solo no sustituye a la tensi\u00f3n.\"\n          }\n        }\n      ]\n    },\n    {\n      \"@type\": \"DefinedTermSet\",\n      \"name\": \"Glosario de novela policiaca y negra\",\n      \"hasDefinedTerm\": [\n        {\n          \"@type\": \"DefinedTerm\",\n          \"name\": \"Whodunit\",\n          \"description\": \"Misterio cuya pregunta central es \u00ab\u00bfqui\u00e9n lo hizo?\u00bb.\"\n        },\n        {\n          \"@type\": \"DefinedTerm\",\n          \"name\": \"Hard-boiled\",\n          \"description\": \"Tradici\u00f3n estadounidense caracterizada por detectives privados, violencia urbana, cinismo y corrupci\u00f3n.\"\n        },\n        {\n          \"@type\": \"DefinedTerm\",\n          \"name\": \"Noir\",\n          \"description\": \"Narrativa criminal donde las circunstancias sociales, morales y personales suelen importar tanto o m\u00e1s que resolver el crimen.\"\n        },\n        {\n          \"@type\": \"DefinedTerm\",\n          \"name\": \"Procedimental\",\n          \"description\": \"Novela centrada en m\u00e9todos profesionales de investigaci\u00f3n policial, forense o judicial.\"\n        },\n        {\n          \"@type\": \"DefinedTerm\",\n          \"name\": \"Cozy crime\",\n          \"description\": \"Misterio habitualmente desarrollado dentro de una comunidad relativamente cerrada, con mayor \u00e9nfasis en deducci\u00f3n y personajes y menor explicitud de violencia.\"\n        },\n        {\n          \"@type\": \"DefinedTerm\",\n          \"name\": \"Nordic noir\",\n          \"description\": \"Novela criminal procedente principalmente de pa\u00edses n\u00f3rdicos, asociada a ambientes sombr\u00edos, investigaci\u00f3n policial y cr\u00edtica social.\"\n        },\n        {\n          \"@type\": \"DefinedTerm\",\n          \"name\": \"Domestic thriller\",\n          \"description\": \"Thriller donde hogar, familia, matrimonio o relaciones \u00edntimas se convierten en el principal territorio de amenaza.\"\n        },\n        {\n          \"@type\": \"DefinedTerm\",\n          \"name\": \"Locked-room mystery\",\n          \"description\": \"Misterio donde el crimen parece haber ocurrido en circunstancias f\u00edsicamente imposibles.\"\n        },\n        {\n          \"@type\": \"DefinedTerm\",\n          \"name\": \"Red herring\",\n          \"description\": \"Pista o elemento dise\u00f1ado para orientar temporalmente al lector hacia una interpretaci\u00f3n equivocada.\"\n        },\n        {\n          \"@type\": \"DefinedTerm\",\n          \"name\": \"Cliffhanger\",\n          \"description\": \"Interrupci\u00f3n en un momento de tensi\u00f3n dise\u00f1ada para impulsar al lector hacia el siguiente cap\u00edtulo.\"\n        },\n        {\n          \"@type\": \"DefinedTerm\",\n          \"name\": \"Neopolic\u00edaco\",\n          \"description\": \"Tradici\u00f3n especialmente importante en Am\u00e9rica Latina que utiliza la investigaci\u00f3n criminal para abordar corrupci\u00f3n, violencia institucional y realidad social.\"\n        },\n        {\n          \"@type\": \"DefinedTerm\",\n          \"name\": \"Polar\",\n          \"description\": \"T\u00e9rmino franc\u00e9s utilizado para referirse a diferentes formas de novela policiaca y negra.\"\n        }\n      ]\n    }\n  ]\n}<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gu\u00eda de lectura \u00b7 misterio, noir y thriller Descubre 150 novelas policiacas, negras, de misterio y thrillers imprescindibles: cl\u00e1sicos, noir espa\u00f1ol, Nordic noir, Jap\u00f3n, Latinoam\u00e9rica y m\u00e1s. Resumen r\u00e1pido La selecci\u00f3n re\u00fane 150 novelas policiacas, negras, criminales, de misterio, espionaje y thriller. No es un ranking matem\u00e1tico: la numeraci\u00f3n sirve para orientarse y descubrir ramas [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":3966,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[61],"tags":[552,297,549,551,548,550,547,151,152],"class_list":["post-3965","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-coollibri-te-contesta","tag-libros-recomendados","tag-misterio","tag-noir","tag-nordic-noir","tag-novela-negra","tag-novela-negra-espanola","tag-novela-policiaca","tag-thriller","tag-thriller-psicologico"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\r\n<title>150 mejores novelas policiacas, negras y thrillers - Escribir un libro en autoedici\u00f3n f\u00e1cilmente<\/title>\r\n<meta name=\"description\" content=\"Descubre 150 novelas policiacas, negras, de misterio y thrillers imprescindibles: cl\u00e1sicos, noir espa\u00f1ol, Nordic noir, Jap\u00f3n, Latinoam\u00e9rica y m\u00e1s.\" \/>\r\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\r\n<link rel=\"canonical\" href=\"https:\/\/www.coollibri.es\/blog\/150-mejores-novelas-policiacas-de-todos-los-tiempos-clasicos-novela-negra-y-thrillers-imprescindibles\/\" \/>\r\n<meta property=\"og:locale\" content=\"es_ES\" \/>\r\n<meta property=\"og:type\" content=\"article\" \/>\r\n<meta property=\"og:title\" content=\"150 mejores novelas policiacas, negras y thrillers - 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